Issue 212

In Reenacting Scenes from the Vietnam War, Le Upends – and Subverts – Landscape

Negar Azimi on Adnan’s sensuous intellect

The artist’s far-seeing experiments with digital avatars and viral antibodies help us better understand ourselves

The American poet – whose ‘Memory’ is now out from Siglio Press – on the poetics of synesthesia

Take advantage of 'crisitunities' to defend the rights of workers - or exploit them

The authors discuss diary-keeping, photography and motherhood

From the stadium to the gallery, both attempt to invoke a sense of extreme concentration

The Rotterdam-based artist answers our questionnaire 

 An exclusive excerpt from her forthcoming book

Renowned poet Joan Retallack reads Adnan’s poetry

Omar Berrada on the artist’s polymathic imagination

For Adnan, art and politics need not be in conflict

At the DeYoung, San Francisco, ‘Uncanny Valley’ deftly examines the consequences of our capitulation to AI

At Adams and Ollman, Portland, the artist’s recent paintings depict scenes now impossible in quarantine 

At Spelman College, the artist’s selection of images from the Johnson Publishing Company celebrates ‘a house that black entrepreneurship built’ 

The artist presents a range of paintings and sculptures at The Contemporary Austin that problematize grand historical narratives