Issue 215

Showing results 1-12 of 12

How Virunhakul's performances mobilize touch between audience and performer

BY Korakrit Arunanondchai |

Tania Candiani on how the artists’ work challenges the dominant historical narrative of the clash between Indigenous and European cultures

 

BY Tania Candiani |

Rykeyn Bailey captures the violence of time passing in a new series of drawings and paintings

BY Ashland Mines |

What do art and cheerleading have in common? Moon thinks they both come from the core

BY Samson Kambalu |

Rodney McMillian on how work of his former students work is ‘a way to digest how ideas about race, radicalism and class are negotiated'

BY Rodney McMillian |

Ahead of their online-only project, ‘May Amnesia Never Kiss Us on the Mouth’, the artist duo answer our questionnaire

John Kelsey on how the French iconoclast rewrites film history, one image at a time

BY John Kelsey |

As Ruth Asawa is honoured with a postage stamp, artist Stephanie Syjuco considers her legacy and her internment by the US government

BY Stephanie Syjuco |

Since the beginning of the 20th century, aerial technologies have lent the sky – and the birds that fly through it – with a threatening presence

BY Heba Y. Amin AND Anthony Downey |

The artist creates a new, specially commissioned comic on the perils of looking good

BY Julien Ceccaldi |

As an exhibition of his work heads to the Whitney Museum of American Art in New York, the photographer speaks to poet Simone White about the changing landscape of Harlem and US institutions

BY Simone White AND Dawoud Bey |