Jan Verwoert

Showing results 1-20 of 38

Jan Verwoert considers the history of Manifesta, European politics and whether an art exhibition can unlock the historical potential of a place

BY Jan Verwoert |


Jan Verwoert pays homage to Robert Linsley – a brilliant thinker, passionate painter and, moreover, a generous person

BY Jan Verwoert |

Jan Verwoert on friction between the creative worker and the local boardroom

BY Jan Verwoert |

The strange persistence of class difference in art

BY Jan Verwoert |

Since the mid-1990s, Henrik Olesen has taken apart clichés about gay identity and turned the pieces into visceral installations, sculptures and collages

BY Jan Verwoert |

The psychologically charged paintings of 16th-century artist Lorenzo Lotto explore hermeticism and the ‘pure profane’

BY Jan Verwoert |

Jan Verwoert writes about the 1990s, ‘New Innocence’, popular TV shows and the ethics of profanity

BY Jan Verwoert |

Working through abjection and attraction, the sculptures of the late Alina Szapocznikow engender the politics of emotion

BY Jan Verwoert |

Cracking the codes of Conceptual art

BY Jan Verwoert |

Working in the field of art makes it very difficult to draw a line between a professional and private life. What’s the best way forward?

BY Jan Verwoert |

Can a piece of writing ever precisely convey what the writer wants it to?

BY Jan Verwoert |

Kunstverein, Hamburg, Germany

BY Jan Verwoert |

Theodor Adorno's centenary

BY Jan Verwoert |

Kölnischer Kunstverein, Cologne, Germany

BY Jan Verwoert |

Nationalgalerie, Berlin, Germany

BY Ronald Jones |

Jan Verwoert on Franz West 

BY Jan Verwoert |

Hamburg Kunsthalle, Germany

BY Jan Verwoert |