Santiago Sierra

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At LABOR, the artist has captured airborne contaminants on 52 canvases, damning evidence of the capital’s unsafe conditions

BY Kit Schluter |

Now open to the public, the prison, modelled on Bentham’s panopticon, gives insight into the tumultuous history of working class uprisings

BY Carlos Delclós |

Presented by Kaldor Public Art Projects, Sydney and curated by Klaus Biesenbach and Hans Ulrich Obrist, ‘13 Rooms’ focused on the body and ideas of performance as ‘living sculpture’

BY Emily Cormack |

The artist’s 2000 exhibition at Kunst-Werke employed unpaid asylum seekers to sit in cardboard boxes for four hours a day

BY Stefan Heidenreich |