At LABOR, the artist has captured airborne contaminants on 52 canvases, damning evidence of the capital’s unsafe conditions
Now open to the public, the prison, modelled on Bentham’s panopticon, gives insight into the tumultuous history of working class uprisings
Presented by Kaldor Public Art Projects, Sydney and curated by Klaus Biesenbach and Hans Ulrich Obrist, ‘13 Rooms’ focused on the body and ideas of performance as ‘living sculpture’
The artist’s 2000 exhibition at Kunst-Werke employed unpaid asylum seekers to sit in cardboard boxes for four hours a day
