Sean Burns

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Highlights include an album of music produced by visual artists and a cornucopia of hot new shows

BY Sean Burns |

Sean Burns on living with a cherished David LaChapelle portrait of the fashion icon

BY Sean Burns |

Tom Jeffreys speaks with the festival director ahead of her first edition in charge of the programme

BY Tom Jeffreys |

From new fiction by Isabel Allende to the first Bulgarian novel to win the Man Booker International, the frieze team recommend new favourites and future classics

BY frieze |

A collaboration between designer Jonathan Anderson and sculptor Lynda Benglis raises questions about the role of art on the runway

BY Sean Burns |

At the centre of the artist’s exhibition at Paris’s Bourse de Commerce is a sophisticated collage of her life in film

BY Sean Burns |

Other highlights include Plaster, a quarterly poster magazine dedicated to contemporary artists, and a new stage adaption of Derek Jarman’s Blue 

BY Sean Burns |

The artist discusses his first survey, at Hayward Gallery, London, which ambitiously reconfigures his acclaimed spaces and sculptures

BY Sean Burns |

Sean Burns speaks to the artist about the current protests in her home country and how the art world can better act in solidarity with the insurgents

BY Shirin Neshat AND Sean Burns |

From Howardena Pindell’s harrowing retrospective at Kettle’s Yard, Cambridge, to Garrett Bradley’s moving debut at Lisson Gallery, London

BY Sean Burns |

Other highlights include James St James’s Night Fever podcast, plus new and upcoming book releases from Rosanna McLaughlin and McKenzie Wark

BY Sean Burns |

Sean Burns visits a nascent gallery that is fast becoming a champion of intersectional voices from across the capital

BY Sean Burns |

Angel Lambo speaks to frieze Assistant Editor Sean Burns about his documentary film profiling the community and architecture of two legendary residential blocks

BY Angel Lambo AND Sean Burns |

As ‘Fugues in Colour’ opens at Fondation Louis Vuitton, Paris, the painter speaks to Sean Burns about Michelangelo’s influence and how murals can upend the commodification of painting

BY Sean Burns |

Marlene Dumas triumphs at Palazzo Grassi and Pauline Curnier Jardin upends the Biennale’s exclusivity

BY Sean Burns |

From neo-surrealist painting to coarse conceptualism, three frieze editors discuss the year in art

What role did the institution play in photography’s ascent?

BY Sean Burns |

The best exhibitions on view during the fair – from Doron Langberg’s splashy gay paintings at Victoria Miro to Theaster Gates’s homage to clay at Whitechapel Gallery

BY Sean Burns |

Is contemporary art a reaction to social, political and local specificities or is it active in creating new utopic, progressive impulses? The BAS9 aspires to ask both

BY Sean Burns |

The artist speaks to Sean Burns about her polarising public sculptures and capturing the spirit of her subjects

BY Sean Burns AND Maggi Hambling |