The artist draws on historic techniques and preoccupations in his ‘Cyano-Collages’
A new exhibition of three interrelated bodies of work – including the largest single presentation of his paintings to date – sees the Mexican artist probe the ‘most Platonic of forms’
For her inaugural exhibition at Sean Kelly, the artist questions the opposition of the traditional and the avant-garde
The artist’s nocturnal examination of glacial landscapes works towards ‘a new way of seeing’
