The protests that derailed the Museum of West African Art’s opening reveal that neocolonial donor money and weak local patronage made it unfit for purpose
Europe’s fastest-growing city is home to a supportive community of artists, curators and writers. From independent spaces in the Grønland neighbourhood and the influential Academy of Fine Art to OCA’s uncertain future and Renzo Piano’s divisive Astrup Fearnley Museet, Jason Farago and Milena Hoegsberg report from the Norwegian capital
