The protests that derailed the Museum of West African Art’s opening reveal that neocolonial donor money and weak local patronage made it unfit for purpose
At Maximillian William, a group show celebrates modernist sculpture bringing Simone Leigh and Magdalene Odundo’s anthropomorphic vessels together with Thaddeus Mosley’s Brancusian forms
Exploring themes of women’s suffrage, migration, urban planning, and ecology, the free outdoor exhibition returns to the heart of Manhattan from September 1 – October 2
