M
Contributor
Mitch Speed

Mitch Speed is a writer based in Berlin, Germany.

A major retrospective of the artist’s hard-to-define work evidences her shapeshifting nature

BY Mitch Speed |

Featuring more than 50 years of work, the artist’s survey at Kunsthalle St. Annen, Lübeck, builds on his idiosyncratic system of shapes and symbols

BY Mitch Speed |

A flaws-and-all reappraisal of the late New York art critic

BY Mitch Speed |

Mitch Speed picks the best gallery shows to see in the German capital

BY Mitch Speed |

At Tanya Leighton, Berlin, the artist’s labour-intensive portraits suggest an art historical fever dream

BY Mitch Speed |

Part memoir, part literary portrait, the author’s new book on Berlin goes beyond familiar narratives of the German capital

BY Mitch Speed |

At Galeria Plan B, the artist aims to symbolically transform visitors into a state of extraordinary openness

BY Mitch Speed |

At Schinkel Pavillon, Berlin, the two artists find common ground in sculptures, drawings, paintings and prints that evoke the unknown

BY Mitch Speed |

The artist’s installation at Barbara Wien, Berlin, leaves things pleasingly open to interpretation

BY Mitch Speed |

In the time of COVID-19, the artist's pulmonary pangs at ChertLüdde, Berlin, feel uncomfortably prescient

BY Mitch Speed |

Like Vivian Maier’s photography, Christina Hesselholdt’s novel embraces digression and relishes humanity in its multiplicity

BY Mitch Speed |

The artist’s montages, at David Lewis, New York, are elegant but cryptic reflections on belonging and complicity

BY Mitch Speed |

With over 100 works, ‘Straying from the Line’ brings together superb work under the rubric of anti-essentialism

BY Mitch Speed |

Amy Fung’s new essay collection is an infuriated breakup letter to the art world

BY Mitch Speed |

The 16th edition of the festival peddles a political cinematography of hope, honesty and humility

BY Mitch Speed |

A retrospective at S.M.A.K., Ghent, explores the origins of the artist’s reduced visual language

BY Mitch Speed |

An exhibition at Pinchuk Art Centre, Kyiv, timed to coincide with the Yalta European Strategy conference, reminds of the corruptibility of culture

BY Mitch Speed |

An exhibition across both Galerie Isabella Bortolozzi and Eden Eden, Berlin, shows how the artist leans into the history of painting

BY Mitch Speed |

Needling, absorptive works animate a biennial in the midst of murky socio-political circumstances

BY Mitch Speed |

Lucas Hirsch, Dusseldorf, Germany

BY Mitch Speed |