The Bird Game
The Bird Game is a wicked fairy tale in which a loquacious and bloodthirsty crow, voiced by Joanne Whalley, lures six children to a secluded mansion and snares them in a sequence of deranged games. It mixes dismembered parts of Sleeping Beauty and Ovid’s Metamorphoses into a sinister witch’s brew. Crow may be a villain but she is also an enchantress, a masterful storyteller and, in her climactic retelling of how she became a bird, a strange and scarred kind of heroine. Also featured in this hellish tale of childhood and transformation are a wolf-haunted lullaby, dirty Disney costumes, eels, and an enucleated eyeball. – Text by Charlie Fox.
Directed by Marianna Simnett, co-written by Marianna Simnett & Charlie Fox, produced by Sophie Neave, shot on 16mm by Robbie Ryan BSC, starring Joanne Whalley as 'Crow', music by Oliver Coates, and performed by live birds and children at Waddesdon Manor.
Confessions of a Crow
Confessions of a Crow is a companion to The Bird Game that draws out the ideas and influences of the film and deftly echoes its structure and mood. Assembling reflections from artists, writers and creative collaborators, it integrates them with the maverick musical musings of Simnett’s ringleader Crow herself.
Writers Marina Warner, Charlie Fox and James Bridle, artist Lindsey Mendick, and composer Oliver Coates speak eloquently about The Bird Game’s overlapping themes, which range from the insidious impact of new digital technologies to the enduring power of fantasy and mythology, and focus on the hypnotic, addictive and increasingly sleepless hyperactivity of contemporary life. With the aid of behind-the-scenes footage and archive photographs of Waddesdon Manor, where The Bird Game was shot, Simnett dives into the history of the house which accommodated evacuee children in the Second World War, and to this day houses some of the rarest species of songbirds in its magnificent aviary. The troubling link between caging and caring is teased out through Crow’s terrifying grip on her child-prey, and her shifting role between abuser and abused.