Exhibition Reviews

Showing results 681-700 of 1184

At Matèria, Rome, the artist’s beeswax sculpture of a key figure in Buddhism reflects a significant moment in Mongolian history

BY Ana Vukadin |

At Tanya Bonakdar, Los Angeles, the artist presents sculptures and installations that revel in the magic past the limits of language

BY Evan Moffitt |

The Glasgow-based polymath’s solo show at Chapter, Cardiff, is rigorously informed by ancient and mediaeval religions and spiritual movements

BY Dylan Huw |

At TRAMPS, New York, the stalwart of the Lower East Side art and music scenes transmutes a painful personal archive into new assemblages

BY Madeleine Seidel |

At ARoS Aarhus Art Museum, an exhibition dedicated to tapestries continues the artist's interest in the construction of persona through social media

BY Alice Godwin |

The artists present playfully experimental new work in the convivial outdoor environment of Hakuna Matata, Los Angeles

BY Gracie Hadland |

At Jeu de Paume, Paris, the artist’s career survey underscores his lifelong project to explore the gap between artificiality and reality

BY Zoe Cooper |

A three-part exhibition at CCA Wattis Institute for Contemporary Arts, San Francisco, draws on the ensemble form and musical score to deliver a vision of cacophonous community

BY Tausif Noor |

From Joan Brown’s documentation of everyday personal experiences at San Francisco Museum of Modern Art, California to Mohammed Sami’s evocative canvases at Camden Art Centre, London

BY frieze |

From a groundbreaking Vermeer exhibition at Amsterdam’s Rijksmuseum to an epic Florentina Holzinger performance at Berlin’s Volksbühne

BY frieze |

From a solo show inspired by military ship camouflage at Lawrie Shabibi to a group show with a focus on artists from Iran at Jossa by Alserkal

BY Nadine Khalil |

At Greene Naftali, New York, the shape-shifting collective's new paintings and sculptures reveal the limits of a generational cynicism in 2023

BY Simon Wu |

At Nubuke Foundation, Accra, the artist’s mysterious paintings are laced with historical references and religious iconography

BY Vanessa Peterson |

At SCAI Piramide, Tokyo, six artists have selected previously unseen photographs by Akasegawa that reflect the dizzying range of his work and his trenchant critique of capitalism

BY Andrew Maerkle |

At Modern Art, London, ‘The Moth and the Thunderclap’ contains works by over 40 artists channelling the energies of the natural world 

BY Aliya Say |

At Art Gallery of York University, Toronto, the multi-panel paintings and prints confront notions of subjecthood through theories of the subconscious

BY Xenia Benivolski |

At Sophie Tappeiner, Vienna, the artist’s sleek metal sculptures are injected with a humanizing dose of biography

BY Kathrin Heinrich |

The inaugural show at London’s reopened Raven Row presents episodes of ‘Open Door’, a radical 1970s media production model 

BY Juliet Jacques |

Ahead of the fair this week, Max Andrews highlights seven exhibitions in the Spanish capital

BY Max Andrews |

A survey of Puerto Rican art at the Whitney Museum of American Art, New York, considers the US territory five years after the devastation of Hurricane Maria

 

BY Eva Díaz |