Adam Kleinman

Fin de siècle squalor and sardonic masques in ‘Grand Hotel Abyss’, the 2019 edition of the annual Austrian festival

An exhibition at SFMOMA, named for the 1990 geopolitical term, considers the relationship between art and activism since the fall of the Iron Curtain 

Working with traditional ‘technologies’, artists show how the past might hold answers for the future

This year’s edition of the triennial advocates for several marginalized groups but fails to create enough space for their individual discourses

In a show at Nome, Berlin, the artists explore various opaque techniques employed by traders who utilize information to dupe rival investors

At Stockholm’s Index, riffing on the dangers of Fascism, bad corporations and big tech

Various venues, Norway

Whitney Museum of American Art, New York, USA

The architecture of the new International Criminal Court in The Hague

The attention-grabbing logic of online news coverage

Museo Tamayo