From Kojo Abudu’s reckoning with the ghosts of Africa’s past at Pace, London, to a harrowing Howardena Pindell survey at Kettle’s Yard, Cambridge
At Compton Verney, the artist’s first large-scale survey celebrates a career spent experimenting with colour
Reopening after a two-year hiatus, London’s brutalist landmark is more than a match for the photographer’s blockbuster capitalist realism
The release of the film Chromophobia raises questions about authorship and appropriation
