Ian Bourland

Showing results 21-40 of 41

Twenty years on from the devastating shooting, can its cultural legacy in film and television reframe our present moment?

BY Ian Bourland | 20 APR 19

Body and landscape converge in the groundbreaking painter’s first US retrospective at the Phillips Collection, Washington, DC

BY Ian Bourland | 18 APR 19

Federal museums ensure that art is not merely the purview of the leisured class; the impasse is an abdication of that responsibility

BY Ian Bourland | 22 JAN 19

Director Yorgos Lanthimos does away with the prudish niceties of the Merchant Ivory format with satisfying energy

BY Ian Bourland | 10 JAN 19

Exotic flora and tentative ‘Afronauts’ speak to a sense of alienation, but throughout the artist’s work runs a current of optimism 

BY Ian Bourland | 15 NOV 18

I cut my skin to liberate the splinter evokes the dissonance and precarity of post-apartheid South Africa

BY Ian Bourland | 30 OCT 18

A collaborative exhibition at the Baltimore Museum of Art and Art + Practice, Los Angeles, explores the lesser-known ephemeral works of the sculptor

BY Ian Bourland | 23 SEP 18

Landing only months before the US midterm elections, it’s impossible not to understand the show foremost in the context of the Trumps and Kushners of the world

BY Ian Bourland | 15 AUG 18

US true crime series Unsolved takes two formative pop cultural events to explore their concealed human stories and systemic narratives

BY Ian Bourland | 05 MAR 18

From The X-Files to The Orville to Black Mirror: what role does sci-fi play in our age of fake news?

BY Ian Bourland | 16 FEB 18

With the arrival of the first superhero film to feature a black lead since 1998's Blade, a reading list on black comic-book culture

BY Andrew Durbin | 16 FEB 18

‘A countercultural beacon’: Ian Bourland reflects on the artist’s remarkable, six-decade career

BY Ian Bourland | 24 JAN 18

Various venues, New York, USA

BY Ian Bourland | 14 DEC 17

A year marked by new visualizations, both controversial and celebrated, of the black body

BY Ian Bourland | 12 DEC 17

The removal of the Confederate monuments in Baltimore shows decisiveness after years of inaction – already they stand as sites of counter-memory

BY Ian Bourland | 18 AUG 17

Casey Kaplan, New York, USA

BY Ian Bourland | 03 JUN 17

Goodman Gallery, Johannesburg, South Africa

BY Ian Bourland | 20 APR 17

Sikkema Jenkins & Co., New York, USA

BY Ian Bourland | 22 MAR 17

A history of underground Black publishing, from W.E.B. Du Bois to #BlackLivesMatter

BY Ian Bourland | 20 DEC 16

Stevenson Gallery, Cape Town & Johannesburg, and blank projects, Cape Town, South Africa

BY Ian Bourland | 02 SEP 16