Juliet Jacques

The subject of retrospective at the London Short Film Festival, Videofreex’s Guerrilla TV tactics preceded the use of citizen-shot footage in contemporary media

Why the Conservatives are wrong to dismiss the British public's intelligence and imagination

Juliet Jacques examines the political motives behind the removal of works in Oslo, London and the former Yugoslavia

Performa’s online exhibition ‘Bodybuilding’ is an intriguing attempt to bring live and spatial work to the screen

In 1969, sculpture students were kept in isolation and prohibited from keeping whatever they made – an approach contested at the time and inconceivable now

Juliet Jacques speaks to the pioneering writer and theorist about her new book, ‘Reverse Cowgirl’, an ‘auto-ethnography’ of the self

Mendacious news stories, industrial farming videos and leaking pipes infiltrate London’s Serpentine Sackler Gallery

Juliet Jacques profiles the photographer Lisetta Carmi who sensitively documented the lives of her friends

The artist and psychogeographer discusses building on the protests of the past

From organizing against arts cuts to an ‘Acid Corbynist’ listening session, can Momentum’s festival of ideas foster collective hope against right-wing media and politicians?

A timely show at the Netherlands’ Cobra Museum is devoted to eight women connected with the mid-century avant-garde movement

The BFI’s new boxset highlights the important part women played in establishing cinema as an artistic medium 

A new book wants to understand the individuals – and identities – beneath the ‘somewhat derogatory label’

‘Queer Spaces’ at Whitechapel Gallery documents the disappearance of many of London’s LGBTQ+ venues

This huge retrospective gives a glimpse of the history – and the future – of trans and non-binary art

At London’s Pushkin House, the Russian artist exhibits a lesson in ‘argot’ – the slang used by LGBT people in the Soviet Union

On the emergence of transgender literature

‘In Place of the Real’ focussed on histories of LGBTQI+ people

A new anthology of 16 films made between 1982 and 2014, highlights the director’s innovative, international approach to her art

Ahead of the presidential elections on 31 March, the far-right has begun to target cultural institutions