It’s possible to think of the director as a troll first and serious director second – this is understandable, but regrettable
Thomas Vinterberg’s return to form: part two of the best new film releases selected by Bert Rebhandl
In an ongoing series, frieze asks artists and filmmakers to list the films that have influenced them
‘The Year of the Flood’ captures very well the way in which climate catastrophe is both inevitable and impossible for us think about