Maureen Paley

Showing results 1-19 of 19

From Belkis Ayón's feminist rituals at Ludwig Forum Aachen to Olivia Plender's forgotten feminist histories at Maureen Paley, London

BY frieze | 03 OCT 22

At Maureen Paley, the artist uses the archive to reckon with women’s history in the UK

BY Hettie Judah | 26 SEP 22

Jeremy Atherton Lin profiles the German photographer and reflects on the artist’s lifelong search for the truth

BY Jeremy Atherton Lin | 12 SEP 22

Hardline, right-wing policies restrict entry to the country to ‘the great minds’

BY Skye Arundhati Thomas | 17 MAR 20

An exhibition at Maureen Paley, London, explores the artist collective's well-known wallpaper 'Imagevirus' and its relevance today

BY Ellen Mara De Wachter | 30 OCT 18

Our guide to the shows not to miss, from Tania Bruguera’s Turbine Hall commission to Amy Sillman’s canvases at Camden Arts Centre


BY Hettie Judah | 28 SEP 18

The artist-investigator tunes his work to the undocumented, the surveilled, immigrants and prisoners; those fleeing the talons of the state

BY Ben Mauk | 27 MAY 18

In our era of easy outrage, the first statue of a woman in Parliament Square is a timely celebration of unwavering belief

BY Hettie Judah | 26 APR 18

In other news: the inaugural Lahore Biennial will go ahead and the controversially cancelled Max Stern exhibition is back on

02 JAN 18

Nicholas Serota calls for freedom of movement to be protected after Brexit; Franco ‘Bifo’ Berardi resigns from DiEM25; Pierrette Bloch dies

14 JUL 17

What draws us to certain stories, and why do we retell them? 

BY Daria Martin | 02 MAR 17

Maureen Paley, London, UK

BY Orit Gat | 09 JAN 17

Maureen Paley, London, UK

BY Paul Pieroni | 16 SEP 14

Maureen Paley, London, UK

BY Kari Rittenbach | 01 NOV 10

Maureen Paley, London, UK

BY Kathy Noble | 01 SEP 09

Despite their contributions, female gallerists have historically been under-recognised. A new book seeks to make amends

BY Martin Herbert | 12 MAR 09

Maureen Paley, London, UK

BY Martin Herbert | 06 JUN 08

The artist's configuration of objects, models and screens criss-crosses pathways and reveals worlds within worlds

BY Catherine Wood | 07 JUN 04