Max Andrews

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From a sprawling exhibition dedicated to the influence of Indigenous art of the Americas to Stephanie Comilang’s first solo show in Spain

BY Max Andrews |

Two concurrent shows at Guggenheim Museum Bilbao and Museo Picasso Málaga appraising the artist’s legacy take a troubling tour through an ethical minefield

BY Max Andrews |

At Bombas Gens Centre d’Art, Valencia, the artist creates an elaborate send off for a series which followed the ‘courtship’ of two famous monuments

BY Max Andrews |

Ahead of the fair this week, Max Andrews highlights seven exhibitions in the Spanish capital

BY Max Andrews |

At Cordova, Barcelona, the artist's backwards-running wristwatch evokes a well-worn sci-fi conceit to explore desire, consumerism and remembrance

BY Max Andrews |

From an extensive Chiara Fumai retrospective to Lucía Bayón’s denim sculptures, Max Andrews selects the exhibitions not to miss in the Spanish capital

BY Max Andrews |

For the inaugural exhibition at Hauser & Wirths island outpost, the artist has created a new series of paintings and sculptures that span from the European discovery of the New World to racialized urban zoning 

BY Max Andrews |

At Centre d’Art La Panera, Lleida, the artist reflects on our changing relationship to the land through sculptures that disintegrate over time

BY Max Andrews |

At CRAC Alsace, the artist’s site-specific video installation envisages the collapse of the EU, exploring murky tax systems and the processes of alienation

BY Oriane Durand |

At etHALL, L’Hospitalet de Llobregat, the artist pays homage to the thresholds between life and death

BY Max Andrews |

The artist’s new works at La Virreina, Barcelona, predict that the culture industry will never be automated

BY Max Andrews |

Ahead of the fair this week, contributing editor Max Andrews picks the exhibitions to see in the Spanish capital

BY Max Andrews |

The challenges faced by the Institut Valencià d’Art Modern have involved a form of firefighting that many museums outside of capital cities seem in thrall to

BY Max Andrews |

At Bombas Gens, Valencia, a retrospective of the terrestrial geographies of the overlooked painter

BY Max Andrews |

Domènec’s show at adn galeria, Barcelona looks to the fraught legacies of Spain’s mass communal housing

BY Max Andrews |

‘Released following the musician’s death in 1993, the album is an extraordinary swan song: morose, comical and utterly preposterous’

BY Max Andrews |

A survey exhibition at LUMA Arles captures the history of mechanically-reproduced imagery from the 19th century to the present

BY Max Andrews |

Two exhibitions in Barcelona and Sabadell explore the artist’s ever-changing styles and painterly references

BY Max Andrews |

On the Spanish artist’s magmatic morphologies, currently on view at Haus der Kunst, Munich, and Matadero, Madrid

BY Max Andrews |

At Centro de Arte Dos de Mayo, Móstoles, a crepuscular glow lends acute poignancy to simple forms and materials   

BY Max Andrews |