Paul McCarthy

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A specially commissioned visual essay by the artist, ahead of his Hammer Museum retrospective

BY Paul McCarthy |

‘The sheer farce of it. Wonderful. That was what made so much sense and felt so good’

BY Max Porter |

Why are psychologists watching disturbing video art?

BY Ned Beauman |

How art in 2013 reflected economic inequalities and suggested alternative ways forward

BY Ben Davis |

Institute of Contemporary Art, Philadelphia, USA

BY Nato Thompson |

Various venues, Berlin, Germany

BY Jörg Heiser |

Michael Duncan on Paul McCarthy

BY Michael Duncan |