Remembering a meeting of two worlds in November 1989
Affect theory is a carefully constructed blind spot, writes Susanne von Falkenhausen, blind to its own ideologies
Is censoring art the solution to divisive politics? Art historian Susanne von Falkenhausen doesn’t think so
Art sees itself as facing a crisis of legitimation – can this account for claims to 'authenticity' being made in shows such as documenta 14?
