US Reviews

At Canal Projects, New York, the artist’s site-specific multi-media installation argues for the unrelenting humanity of workers

At Oakville Galleries in Gairloch Gardens, the artist’s multimedia works communicate the visual language where immigrant, queer and artist communities overlap

A group exhibition at Institute of Contemporary Art, Philadelphia, reconfigures our engagement with the structures and systems that support and shelter us

In a live commission and a new video work at CARA, New York, the artist complicates embodied histories of racialization, violence and resistance

From Tetsuya Ishida’s disaffected oil paintings at Gagosian, New York, to Ato Ribeiro’s wooden weavings at Museum of Contemporary Art of Georgia, Atlanta

At Regen Projects, Los Angeles, the artist’s multi-media works explore the similarities between entertainment and state oppression

At Gagosian, New York, paintings that blend surrealism and social realism depict the disaffection of modern workers

At David Zwirner, New York, plants drawn from Eastern Nigeria and Los Angeles coexist with figures and settings sourced from magazines, books and family photographs

At W-galería, the artist collaborates with Guaraní weavers in a decolonial project of self-representation 

At Sargent’s Daughters, New York, empathetic oil paintings suggest healing through revisitation

Portland’s arts biennial, Converge 45, adopts an idealist vision of what it means to be a citizen of the world

While ‘Choreographies of the Impossible’ stumbles curatorially, this edition nevertheless feels vital and exciting

At the artist’s studio via Chateau Shatto, Los Angeles, the artist’s facsimiles of pavement interrogate the similarities between civic labour and artistic production

At MOCA GA, the artist's sculptures adapt Kente cloth as a framework for pan-Africanism

From a survey of African fashion at the Brooklyn Museum, New York, to Florian Krewer’s animalistic oil paintings at Aspen Art Museum

At the Brooklyn Museum, New York, more than 300 items from 1950 to present day capture the global impact of artists from the continent

At Night Gallery, Los Angeles, claustrophobic paintings of horse races meditate on risk, desire and control

Inspired by Mesoamerican culture and Mexican modernism, the artist’s materially lush sculptures and drawings aspire to a time beyond geopolitical violence

At The Arts Center at Governors Island, New York, the artist presents installations that induce an embodied reflection on immigration and national identity

Raw figurative paintings at Aspen Art Museum show how the artist's relocation to New York in 2020 infused new life into his work