Solo Shows at Frieze New York 2022

At this year's fair, galleries will dedicate their entire booths to artists including Liam Gillick, Nancy Grossman, Joan Snyder, Charles Gaines and Mai-Thu Perret

in Frieze , Frieze New York | 04 MAY 22

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From Liam Gillick's exploration of environment and behaviour, to Mai-Thu Perret's feminist mythology, solo booths at Frieze New York 2022 will showcase some of today's most significant artists.

Retrospectives by New York Artists

Joan Snyder Works
Joan Snyder, Body and Soul, 1997-1998, Oil, acrylic, fabric, paper cache, glitter, straw, plastic grapes on canvas, 66 x 78 inches, Courtesy Franklin Parrasch Gallery, New York

Major New York-based artist, Liam Gillick shows a collection of sculptures from 2008 – 2020 that highlight the tension between the ideological norms of our built environment and their effect on human behaviour (presented by Casey Kaplan, Booth B13).

Known widely for her feminist practice, Joan Snyder's full works will showcase for the first time since 2005 (Franklin Parrasch Gallery) whilst works by Nancy Grossman focus on the artist’s career-long investigation into the expressive potential of the human form (Michael Rosenfeld Gallery, D10).

Carol Bove’s presentation of new sculptures furthers her long-standing engagement with different registers of display and the limits of physicality (presented by David Zwirner, B14). 

Nancy Grossman Work
Nancy Grossman (b.1940), Terato, 1974, Collage of dyed paper, tape, and watercolor on Masonite in artist's frame, 54 x 36 inch, 54 1/4 x 36 1/2 inch in artist's frame signed, © Nancy Grossman, Courtesy of Michael Rosenfeld Gallery LLC, New York, NY 

American Greats

Charles Gaines Work
Charles Gaines (b. 1944), Numbers and Trees: London Series 1, Tree #8, Harrow Place, 2020, Acrylic sheet, acrylic paint, photograph, © Charles Gaines, Courtesy the artist and Hauser & Wirth, Photo: Fredrik Nilsen 

With this new series, LA-based artist Charles Gaines uses formulas and systems that interrogate relationships between the objective and the subjective realms (Hauser & Wirth, B5).

Another LA-based artist Eamon Ore-Giron combines visual structures from the Global South with an expanded international history of abstraction (James Cohan, B9).

Since the 1970s, influential Chicago artist Judith Geichman has used the art of abstraction to explore the possibilities of painting (Regards, Frame section, FR6).

Eamon Ore-Giron Work
Eamon Ore-Giron, Infinite Regress CLIV, 2021, Mineral paint and flashe on linen, 120 x 120 in., © Eamon-Ore Giron 2022, Image courtesy the artist and James Cohan, New York, Photo by Phoebe d’Heurle.  

Global Art Pioneers

Mai-Thu Perret Work
Mai-Thu Perret, Diana, 2022, ceramic and bronze, (158 x 44 x 44 cm), Courtesy of the Artist and David Kordansky

New sculptures and watercolours by Mai-Thu Perret draw on her interest in the goddesses of Roman mythology and elaborate upon her ongoing explorations of feminist counter-narratives (David Kordansky, B1).

Simon Fujiwara’s new body of work, Who the Baer, is a tool for the artist to investigate cultural anxieties around identity and today's performative image culture (Esther Schipper, A6).

Using a monumental installation of stacked ceramic columns alongside a series of ceramic masks, Jonathan Baldock explores our relationship to the body and the human condition (Stephen Friedman Gallery, B17).

Across paintings and drawings, Karlo Kacharava splices borderless narratives both fictional and real to picture a world sprawling with connections (Modern Art, D12).

Chinese artist Yan Xinyue interrogates the conflict between society and the self through her vibrant and fantastical paintings (Capsule Shanghai, FR2).

Karlo Kachareva Work
Karlo Kacharava, Clown/Bergman, 1992, acrylic and ballpoint pen on canvas, Courtesy of the Artist and Modern Art

The next edition of Frieze New York returns to The Shed from May 18 to 22, 2022. More programming and highlights will be announced soon...


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Image at top of page: Yan Xinyue 闫欣悦, Give Me One More Glass, 2022, oil on canvas, 33x45cm, 33x75cm (diptych), © Yan Xinyue, courtesy the artist and Capsule Shanghai