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Contributor
Bert Rebhandl

Bert Rebhandl is a journalist, writer and translator who lives in Berlin. He co-founded and co-edits Cargo magazine.

The Green InfernoWelcome to Leith and Zoolander 2

BY Bert Rebhandl | 11 FEB 16

J.C. Chandor, Aleksey Fedorchenko and Hirokazu Koreeda: Bert Rebhandl shares his highlights from 2015

BY Bert Rebhandl | 25 DEC 15

Highlights of the best new artist's film and releases in the cinema

BY Bert Rebhandl | 25 NOV 15

Filmmaker Sergei Loznitsa’s exploration of the post-Soviet condition

BY Bert Rebhandl | 01 JUN 15

Included in the German pavilion at this year’s Venice Biennale, Hito Steyerl’s pointed and playful disruptions in digital environments

BY Bert Rebhandl | 21 APR 15

Stefan Hayn’s new film STRAUB and his painterly approach to documentaries

BY Bert Rebhandl | 18 FEB 15

The life and work of Swiss filmmaker Peter Liechti, who died in April

BY Bert Rebhandl | 30 MAY 14

The films of Albert Serra

BY Bert Rebhandl | 21 MAR 14

How German-language cinema is joining the global horror boom

BY Bert Rebhandl | 23 FEB 14

Has Hollywood primed us for total surveillance?

BY Bert Rebhandl | 18 NOV 13

The quasi-documentaries of Viennese filmmakers Tizza Covi and Rainer Frimmel

BY Bert Rebhandl | 15 AUG 13

For 20 years, filmmaker Heinz Emigholz has been documenting icons of Modernist architecture

BY Bert Rebhandl | 20 MAR 13

Ulrich Seidl’s Paradies trilogy brings the moving image to a standstill

BY Bert Rebhandl | 03 FEB 13

The new wave of social-realist storytelling in American cinema

BY Bert Rebhandl | 01 NOV 12

What’s all the fuss about Paul Thomas Anderson’s The Master? The first rave reviews of Anderson’s new, well, designated 'masterpiece' came on the social media, of course. Friends and colleagues who had seen a 70mm-projection at the Venice Film Festival a couple of weeks ago were mostly in awe and expected a sure win of the Golden Lion (it went to Kim Ki-duk instead).

BY Bert Rebhandl | 17 SEP 12

Philip Scheffner’s work stands for a new wave of German political documentary. His latest film Revision restores the history of two refugees who died under mysterious circimstances

BY Bert Rebhandl | 03 AUG 12

The filmmaker Romuald Karmakar is redefining his oeuvre – and cinema itself – on YouTube

BY Bert Rebhandl | 27 FEB 12

Working between documentaries and blockbusters, Brazilian director José Padilha is reviving the legacy of neo-realism

BY Bert Rebhandl | 01 JUN 11

Does Michael Haneke’s lauded new film mark a shift away from his earlier critique of mainstream cinema?

BY Bert Rebhandl | 01 APR 10