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Contributor
Bert Rebhandl

Bert Rebhandl is a journalist, writer and translator who lives in Berlin. He co-founded and co-edits Cargo magazine.

The Green InfernoWelcome to Leith and Zoolander 2

BY Bert Rebhandl |

J.C. Chandor, Aleksey Fedorchenko and Hirokazu Koreeda: Bert Rebhandl shares his highlights from 2015

BY Bert Rebhandl |

Highlights of the best new artist's film and releases in the cinema

BY Bert Rebhandl |

Filmmaker Sergei Loznitsa’s exploration of the post-Soviet condition

BY Bert Rebhandl |

Included in the German pavilion at this year’s Venice Biennale, Hito Steyerl’s pointed and playful disruptions in digital environments

BY Bert Rebhandl |

Stefan Hayn’s new film STRAUB and his painterly approach to documentaries

BY Bert Rebhandl |

The life and work of Swiss filmmaker Peter Liechti, who died in April

BY Bert Rebhandl |

The films of Albert Serra

BY Bert Rebhandl |

How German-language cinema is joining the global horror boom

BY Bert Rebhandl |

Has Hollywood primed us for total surveillance?

BY Bert Rebhandl |

The quasi-documentaries of Viennese filmmakers Tizza Covi and Rainer Frimmel

BY Bert Rebhandl |

For 20 years, filmmaker Heinz Emigholz has been documenting icons of Modernist architecture

BY Bert Rebhandl |

Ulrich Seidl’s Paradies trilogy brings the moving image to a standstill

BY Bert Rebhandl |

The new wave of social-realist storytelling in American cinema

BY Bert Rebhandl |

What’s all the fuss about Paul Thomas Anderson’s The Master? The first rave reviews of Anderson’s new, well, designated 'masterpiece' came on the social media, of course. Friends and colleagues who had seen a 70mm-projection at the Venice Film Festival a couple of weeks ago were mostly in awe and expected a sure win of the Golden Lion (it went to Kim Ki-duk instead).

BY Bert Rebhandl |

Philip Scheffner’s work stands for a new wave of German political documentary. His latest film Revision restores the history of two refugees who died under mysterious circimstances

BY Bert Rebhandl |

The filmmaker Romuald Karmakar is redefining his oeuvre – and cinema itself – on YouTube

BY Bert Rebhandl |

Working between documentaries and blockbusters, Brazilian director José Padilha is reviving the legacy of neo-realism

BY Bert Rebhandl |

Does Michael Haneke’s lauded new film mark a shift away from his earlier critique of mainstream cinema?

BY Bert Rebhandl |