A brief look at arts funding, the future of museums, and the dangers of efficiency

With a solo presentation at Frieze London, Melvin Edwards discusses symbols, self-expression and his work in the Tate’s ‘Soul of a Nation’ show

A guide to the off-site shows in Venice this week

Ahead of the public opening of documenta 14 this Saturday, a look at what we already know from ‘Learning from Athens’

The new director of London's ICA discusses rebuilding, restructuring and the integrity of culture

Tonight's highlights: two significant new painting shows and an impressive new film by Charlotte Prodger

Mnuchin Gallery, New York & The George Economou Collection, Athens

To accompany frieze.com hosting his latest film for a limited period, London-based artist Steve Bishop gives an insight into how it came about

A round-up of the best current shows in the Greek capital

Sol Calero and Christopher Kline talk about their collaborative project, Conglomerate TV

Does looking at, or reading, something online change its meaning?

What does it take to be a Frieze New York tour guide?

An interview with Jacob Proctor and Fabian Schöneich, advisors to Frame and Focus

Frieze Projects curator, Cecilia Alemani, on commissioning process

The frieze digital editors select their highlights from the recently opened Glasgow International Festival

On exits and exiles

If exit polls are to be believed (and the recent UK elections have sadly shown they should be) the main show of this year's 56th Venice Biennale is a flop. ‘Dreadful’, 'dire’, 'depressing’ are some of the more printable adjectives I’ve heard to describe it. ‘Venice is Bad' was the insightful email header from a supposedly serious art news source.

On collective memory and personal experience

Cold portraits and warm-hearted annotations

How humour feeds painting