Issue 2
Autumn 2011

From this issue

On the art of being truly site-specific

BY Jennifer Allen |

Where does a sculpture start and where does it end? Since Rodin the answer has been unclear. Today, artists are finding very different solutions to the persistent problem of the pedestal

BY Manuela Ammer |

In search of the past, Martin Gostner found a fleeting form of sculpture and invented a new time machine: the bay window

BY Andreas Schlaegel |

On the power of metaphors to bring about change

BY Jan Verwoert |

Using music, performance and animation, Egill Sæbjörnsson creates hybrid stages, where analogue and digital worlds collide

BY Dominikus Müller |

Business and private matters do get mixed up, unavoidably, structurally. But there is a need for limits. Laws mark these limits and guarantee a minimum of transparency.

BY Jens Kastner |

Leonor Antunes uses iconic buildings as points of departure for precise sculptural installations which confound architectural models with measuring systems

BY Ludwig Seyfarth |

Is there any way to escape national stereotypes?

BY Gianni Jetzer |

Daniel Spoerri used found objects to explore a citys history in Le Musée sentimental. On the 30th anniversary of Le Musée sentimental de Prusse in Berlin, frieze d/e asks four artists Aleksandra Mir, Manfred Pernice, Gitte Schäfer and Danh Vo to explain their approach to the found object

BY Jennifer Allen |

On the controversial role of digitization in New Music

BY Björn Gottstein |

City Sounds and Spontaneous Occupations

BY Kito Nedo |

Many architects are turning towards found materials. Are the buildings of the future already waiting in the rubbish?

BY Oliver Elser |

Love Stories, Avalanches and Simulacra

BY Quinn Latimer |

In this series, frieze d/e asks artists, curators or writers to re?ect upon one word and its impact

BY Thea Djordjadze |

Bruce Nauman spoke with Noemi Smolik about his first projects with European gallerists, curators and artists and about how to turn a neon sign into a black square

BY Noemi Smolik |

Okwui Enwezor, the new Director of Munichs Haus der Kunst, spoke with Jörg Heiser about civic cultural practices, from Munich to Cairo via Paris

BY Jörg Heiser |

Choose a single object of special significance from your working or living environment

BY Monica Bonvicini |

Different locations

BY Antje Stahl |

Galerie Kadel Willborn

BY Daniel Pies |

Salzburger Kunstverein

BY Eva Maria Stadler |

Galerie Reinhard Hauff

BY Michael Birchall |

Galerie Cinzia Friedlaender

BY Nina Köller |

Galerie Hubert Winter

BY Jennifer Allen |

Pinakothek der Moderne

BY Laura Weissmüller |

Grazer Kunstverein

BY Jakob Neulinger |

Städtische Galerie Nordhorn

BY Nils Plath |

Galerie Gisela Capitain

BY Jörg Heiser |

Galerie Gregor Staiger & OSLO10

BY Barbara Preisig |