Issue 2
Autumn 2011

From this issue

On the art of being truly site-specific

BY Jennifer Allen | 11 AUG 11

Where does a sculpture start and where does it end? Since Rodin the answer has been unclear. Today, artists are finding very different solutions to the persistent problem of the pedestal

BY Manuela Ammer | 11 AUG 11

In search of the past, Martin Gostner found a fleeting form of sculpture and invented a new time machine: the bay window

BY Andreas Schlaegel | 10 AUG 11

On the power of metaphors to bring about change

BY Jan Verwoert | 10 AUG 11

Using music, performance and animation, Egill Sæbjörnsson creates hybrid stages, where analogue and digital worlds collide

BY Dominikus Müller | 09 AUG 11

Business and private matters do get mixed up, unavoidably, structurally. But there is a need for limits. Laws mark these limits and guarantee a minimum of transparency.

BY Jens Kastner | 09 AUG 11

Leonor Antunes uses iconic buildings as points of departure for precise sculptural installations which confound architectural models with measuring systems

BY Ludwig Seyfarth | 08 AUG 11

Is there any way to escape national stereotypes?

BY Gianni Jetzer | 08 AUG 11

Daniel Spoerri used found objects to explore a citys history in Le Musée sentimental. On the 30th anniversary of Le Musée sentimental de Prusse in Berlin, frieze d/e asks four artists Aleksandra Mir, Manfred Pernice, Gitte Schäfer and Danh Vo to explain their approach to the found object

BY Jennifer Allen | 07 AUG 11

On the controversial role of digitization in New Music

BY Björn Gottstein | 07 AUG 11

City Sounds and Spontaneous Occupations

BY Kito Nedo | 06 AUG 11

Many architects are turning towards found materials. Are the buildings of the future already waiting in the rubbish?

BY Oliver Elser | 06 AUG 11

Love Stories, Avalanches and Simulacra

BY Quinn Latimer | 05 AUG 11
Influences

In this series, frieze d/e asks artists, curators or writers to re?ect upon one word and its impact

BY Thea Djordjadze | 05 AUG 11

Bruce Nauman spoke with Noemi Smolik about his first projects with European gallerists, curators and artists and about how to turn a neon sign into a black square

BY Noemi Smolik | 04 AUG 11

Okwui Enwezor, the new Director of Munichs Haus der Kunst, spoke with Jörg Heiser about civic cultural practices, from Munich to Cairo via Paris

BY Jörg Heiser | 04 AUG 11

Choose a single object of special significance from your working or living environment

BY Monica Bonvicini | 03 AUG 11

Various venues

BY Noemi Smolik | 02 AUG 11

Different locations

BY Antje Stahl | 01 AUG 11

RaebervonStenglin

BY Dominikus Müller | 31 JUL 11

MUMOK

BY Raimar Stange | 30 JUL 11

Galerie Kadel Willborn

BY Daniel Pies | 29 JUL 11

Kunsthalle Zürich

BY Quinn Latimer | 28 JUL 11

Mathildenhöhe

BY Ana Teixeira Pinto | 27 JUL 11

Silberkuppe

BY Melissa Canbaz | 26 JUL 11

Salzburger Kunstverein

BY Eva Maria Stadler | 25 JUL 11

Galerie Reinhard Hauff

BY Michael Birchall | 24 JUL 11

Galerie Cinzia Friedlaender

BY Nina Köller | 23 JUL 11

Johnen Galerie

BY Andreas Schlaegel | 22 JUL 11

Kunst Halle Sankt Gallen

BY Burkhard Meltzer | 21 JUL 11

Galerie Hubert Winter

BY Jennifer Allen | 20 JUL 11

Pinakothek der Moderne

BY Laura Weissmüller | 19 JUL 11

Grazer Kunstverein

BY Jakob Neulinger | 18 JUL 11

Städtische Galerie Nordhorn

BY Nils Plath | 17 JUL 11

Galerie Gisela Capitain

BY Jörg Heiser | 16 JUL 11

Galerie Gregor Staiger & OSLO10

BY Barbara Preisig | 15 JUL 11