Issue 25
Autumn 2016

The 25th issue of frieze d/e features an extensive dossier on Kai Althoff, who also provided us with a unique cover.

The issue also features a segment on art and theatre in Berlin featuring a roundtable with theatre critics about Chris Dercon’s appoitment to the Volksbühne, and a personal piece by Jan Verwoert about tensions between the creative worker vs. the local boardroom.

Plus reviews of the 9th Berlin Biennale, Manifesta 11, Mathis Altmann, Ilya Lipkin, Grayson Revoir, and much more.

From this issue

With the opening of artist's major MoMA show, some reflections on Kai Althoff's exalted characters and metaphysical aims

BY Manfred Hermes | 14 SEP 16

How is contemporary art responding to the current refugee crisis? Three case studies ...

BY Jörg Scheller | 08 SEP 16

David Grubbs on Kai Althoff's recorded music, in the new issue of frieze d/e out now

BY David Grubbs | 02 SEP 16

Claus Richter on attending an early concert by Workshop

BY Claus Richter | 25 AUG 16

Tobias Madison on the 2001 album Es liebt Dich und Deine Köperlichkeit ein Ausgeflippter by Workshop

BY Tobias Madison | 25 AUG 16

Lena Henke on Kai Althoff and Lutz Braun's installation Kolten Flynn (2006)

BY Lena Henke | 25 AUG 16

Mathieu Malouf on material juxtapositions in Kai Althoff's works from 2007

BY Mathieu Malouf | 25 AUG 16

A Man Walks his Dog in the Park

BY Yair Oelbaum | 25 AUG 16

Kai's Boutique

BY Pablo Larios | 25 AUG 16

The 25th issue of this magazine, and changes at frieze

BY Jörg Heiser | 25 AUG 16

Nicolaus Schafhausen on Germany, origins and individualism as utopia in the work of Kai Althoff

BY Nicolaus Schafhausen | 25 AUG 16

On the counter-cultural icon Hubert Fichte, founder of German-language Pop literature

BY Dominikus Müller | 25 AUG 16

On the new large-scale co-production Medea.Matrix by Susanne Kennedy, who will soon join Chris Dercon's new team at Berlin's Volksbühne

BY Tobi Müller | 25 AUG 16

What's behind the outcry againt Chris Dercon's appointment at the Volksbühne? A roundtable with theatre critics Eva Behrendt and Tobi Müller

BY Eva Behrendt | 23 AUG 16

Jan Verwoert on friction between the creative worker and the local boardroom

BY Jan Verwoert | 23 AUG 16

The Berlin artists' group Honey-Suckle Company is a fashion house, band and style icon. A new book outlines the group's activities

BY Jan Kedves | 23 AUG 16

Paint, blog, ask questions - Michaela Eichwald speaks with Pablo Larios

BY Pablo Larios | 23 AUG 16

With their tribal tattoos facing the world, the sculptures of Anna Uddenberg shed a light on class and gender sterotypes - from the aspirational to the 'girlfriend experience'

BY Karen Archey | 23 AUG 16

Anna Teixeira Pinto speaks with Simon Fujiwara about the promise of happiness in a world gone awry

BY Ana Teixeira Pinto | 23 AUG 16

Choose a single object of special significance from your working or living environment: models of USS Jimmy Carter

BY Trevor Paglen | 23 AUG 16

Weiss Falk, Basel

BY Elisa R. Linn | 23 AUG 16

Galerie Christine König, Vienna

BY Verena Dengler | 23 AUG 16

Raven Row, London
 

BY Matthew McLean | 23 AUG 16

Swiss Institute, New York

BY Boško Blagojević | 19 AUG 16

Frankfurt am Main, Berlin, Germany

BY Eli Pitegoff | 19 AUG 16

Lars Friedrich, Berlin, Germany

BY Michael Franz | 19 AUG 16

Deutsche Bank KunstHalle, Berlin, Germany

BY Hannah Schraven | 19 AUG 16

Clages, Cologne, Germany

BY Baptist Ohrtmann | 19 AUG 16

MMK Museum für Moderne Kunst, Frankfurt am Main, Germany

BY Michaela Ott | 19 AUG 16

Various venues, Zurich, Switzerland 

BY Jörg Heiser | 19 AUG 16

Various locations, Berlin, Germany

BY Dominikus Müller | 19 AUG 16