Amy Sherald

From Rashid Johnson at the Guggenheim to Sonia Gomes at Storm King, there are some outstanding institutional exhibitions coinciding with Frieze Week 

A video conversation expanding on the fifth series of the award-winning podcast

The panelists discuss Sherald’s practice and the relevance of her work within the canon of historical portraiture. Presented in partnership with Hauser & Wirth

Exploring themes of identity, originality, geopolitics and Blackness through a historical lens, the new Frieze Masters Podcast is now available

Following a recent collaboration with Printed Matter and Darling Green, the director of Hauser & Wirth Publishers speaks with Vanessa Peterson about the importance of artists' publishing 

From Somaya Critchlow’s alluring female figures at Maximillian William, London, to William Kentridge’s monumental retrospective at the Royal Academy of Arts

2.3 million people visited the gallery due in part to the portraits of the former US President and First Lady

The Baltimore’s director on why correcting the art historical canon is not only right but urgent for museums to remain relevant

In further news: London’s Southbank Centre launches club night ‘Concrete Lates’; Anselm Kiefer creates first US site-specific outdoor sculpture

In other news: Tania Bruguera and Laurie Anderson bring political banners to Times Square; Polish artists protest country’s right-wing nationalism

In other news: Artforum responds to #NotSurprised call for boycott of the magazine; Maria Balshaw apologizes for harassment comments

A year marked by new visualizations, both controversial and celebrated, of the black body