Andrew Maerkle

In the Tokyo-based artworks, everyday objects are animated by electric motors and chance elements

At SCAI Piramide, Tokyo, six artists have selected previously unseen photographs by Akasegawa that reflect the dizzying range of his work and his trenchant critique of capitalism

A lecturer of multilingual students at Tokyo University of Arts, Andrew Maerkle reflects on how translation of art criticism can be emancipatory

A retrospective at Museum of Contemporary Art Tokyo struggles to convey the collective’s energy and impact 

The closure of part of the 2019 Aichi Triennale reflects a broader climate of aggression, censorship and nationalist revisionism 

Ahead of Art Fair Tokyo, here are the exhibitions not to miss in the Japanese capital

From biennales to solo projects, and the responsibilities of arts institutions in the face of resurgent nationalisms: the low-down on what to look out for this year

What three shows about Japanese art from a pivotal decade tell us about the selective memory of cultural institutions

This year's edition of the Busan Biennale, South Korea, finds eerie resonances of cold war divisions in present-day art and politics

Japan’s growing number of art festivals tread a precarious path between state-sponsored leisure-culture and soft-power machinery

A guide to the best current shows in the capital of Japan

Contemporary Art Gallery, Art Tower Mito, Japan

Daiwa Press Viewing Room, Hiroshima, Japan