Edinburgh

At Stills Centre of Photography, Edinburgh, the artist holds the spirits of her absent subjects in the gallery, forcing us to commune with their stories

At Fruitmarket, Edinburgh, the artist’s retrospective approaches materials in a child-like manner with little regard for the objects’ origins or histories

In the context of increasingly sadistic attacks on Muslim people, the Glasgow-based artist provides a space for grief and dreaming

A visa application system which is often opaque, bureaucratic and racist – exacerbated by the prospect of a no-deal Brexit – is becoming a headache for art workers

A new show at Collective, Edinburgh, makes poetry of physical actions

After a five-year redevelopment of the landmark heritage site on Calton Hill, who will this ‘new kind of observatory’ be for?

In the unashamedly populist ‘Rip It Up’ at the National Museum of Scotland, the joy of fandom resounds but questions about the future are avoided

Jostling with its loud festival neighbours, the UK’s best attended annual visual art festival conducts a polyphonic debate with art of the past

As the Scottish sculpture park celebrates its tenth anniversary, Amy Sherlock talks to its founder Nicky Wilson

The poet on the ‘strange portability’ of life on the road 

Four miles west of the city, Jupiter Artland marks its 10th anniversary with a new commission by Phyllida Barlow

Stills Gallery, Edinburgh, UK

From an inflatable anti-capitalist dragon to the shattered shadow of Robert Burns: highlights from this year’s Edinburgh Art Festival

Analysis and reaction to the surprise closing of Inverleith House after 30 years

The Fruitmarket Gallery, Edinburgh, UK

CCA, Glasgow, & Stills, Edinburgh, UK

‘Pointless’ at Sutton Gallery, Edinburgh, explores Aleks Danko’s enduring suspicion of the artist-as-oracle, which has remained a feature of his practice since his debut solo exhibition in 1970

Stills, Edinburgh, UK

doggerfisher, Edinburgh, UK

Ingleby Gallery, Edinburgh, UK