At Stills Centre of Photography, Edinburgh, the artist holds the spirits of her absent subjects in the gallery, forcing us to commune with their stories
At Fruitmarket, Edinburgh, the artist’s retrospective approaches materials in a child-like manner with little regard for the objects’ origins or histories
A visa application system which is often opaque, bureaucratic and racist – exacerbated by the prospect of a no-deal Brexit – is becoming a headache for art workers
‘Pointless’ at Sutton Gallery, Edinburgh, explores Aleks Danko’s enduring suspicion of the artist-as-oracle, which has remained a feature of his practice since his debut solo exhibition in 1970