Issue 203

Showing results 1-11 of 11

Renato Leotta employs moonlight, waves, dry-stone walls and ‘southern thought’ in order to ‘slow down time’

BY Barbara Casavecchia | 02 MAY 19
Venice 2019

The queer cyberfeminist pioneer’s Taiwan Pavilion in Venice explores surveillance, pleasure and control

BY Zach Blas | 02 MAY 19
Venice 2019

To address the ‘interesting times’ alluded to in the title of the 58th Venice Biennale, we must challenge the language we use to describe them

BY Andrew Durbin | 02 MAY 19

An exhibition at Seventeen, London, reflects upon the precarious world that the arts professional must negotiate

BY Paul Rekret | 02 MAY 19

This specially-commissioned visual essay by Tony Cokes draws from theorist Kodwo Eshun’s moving epitaph for his friend, the critic Mark Fisher

BY Tony Cokes | 25 APR 19

From Mx Justin Vivian Bond to Andy Warhol: fan artists in New York

BY Olivia Laing | 25 APR 19

How archival collections are being re-animated via new technologies

BY Ellen Mara De Wachter | 24 APR 19

After years in the critical wilderness, Pattern and Decoration, the first postmodern art movement, is being reassessed by a number of exhibitions in Europe and the US 

BY Amy Sherlock | 24 APR 19

The boom in cinema magazines dedicated to print

BY Erika Balsom | 24 APR 19

The artist takes us through her multi-faceted practice, now on view in her retrospective at Museum Ludwig, Cologne 

BY Övül Ö. Durmuşoğlu | 23 APR 19

Her retrospective at the Met is a five-decade meditation on the vastness of the cosmos and the insignificance of human life

BY Sarah Manguso | 18 APR 19