Issue 238

Showing results 21-37 of 37

At KIN, Brussels, the artist’s androgynous figures are trapped in a state of leisurely calm 

BY Emile Rubino |

An exhibition of video work at MoCA Taipei highlights the affinities between the regions but also the logistical hurdles that prevent full reciprocal exchange

BY Christopher Whitfield |

At SAVVY Contemporary, Berlin, ‘Conspicuous Invisibility’ examines the perceptions of identity, history and the African diaspora

BY Edna Bonhomme |

At the Swiss Institute, New York, Jac Leirner's sculptures and installations of discarded objects suggest the unseen exchanges of everyday life

BY Maddie Hampton |

From balletic sculptures to cyborg imagery, a group show at Gathering, London, delves into the vulnerability of our bodies

BY Sam Moore |

At the Walker Art Center, Minneapolis, the artist’s works are simultaneously maps, bodies and repositories

BY Simon Wu |

At Spike Island, Bristol, the artist captures the flux of queer existence in collages of gender non-conforming figures throughout time

BY Elizabeth Fullerton |

A retrospective at Albertina, Vienna, reintroduces audiences to one of Austria's most provocative feminist artists

BY Kathrin Heinrich |

An untitled exhibition at The Renaissance Society, Chicago, explores the friction between the artworld’s emphasis on in-person experience and its dependence on mediation 

BY Lisa Yin Zhang |

At Bombas Gens Centre d’Art, Valencia, the artist creates an elaborate send off for a series which followed the ‘courtship’ of two famous monuments

BY Max Andrews |

At Kunsthal Charlottenborg, the artist’s ecclesiastical paintings channel the ethereal visions of William Blake and the earthy primitivism of Paul Gauguin

BY Tom Morton |

A sparse exhibition at David Zwirner, London, sees the artist embrace pointillism, but her subjects remain the same: beautiful men 

BY Ella Slater |

Khanyisile Mbongwa’s programme addresses the history of international slave trading that haunts its famous docks

BY Joe Bobowicz |

At his studio in Long Island City, New York, the artist presents a multi-channel film that unspools surreally out of a 1978 NFL disaster

BY Brecht Wright Gander |

An exhibition of kaleidoscopic painting at Victoria Miro, London, is a celebration of free love and excess

BY Chloë Ashby |

At Altman Siegel and Minnesota Street Project Foundation, San Francisco, the artist shows a colour-shifted feature-length film and photographs that use controversial Geographic Information Systems technology

BY Brian Karl |

At anonymous, New York, the downtown artist shows paintings and prints made of roses and hair that pay homage to those lost in the AIDS era of the 1990s and beyond

 

 

BY Adam Smith-Perez |