Okwui Enwezor

Showing results 21-32 of 32

If exit polls are to be believed (and the recent UK elections have sadly shown they should be) the main show of this year's 56th Venice Biennale is a flop. ‘Dreadful’, 'dire’, 'depressing’ are some of the more printable adjectives I’ve heard to describe it. ‘Venice is Bad' was the insightful email header from a supposedly serious art news source.

BY Paul Teasdale |

Tate Modern and African art

BY Lara Pawson |

The rise and fall of biennials in the Democratic Republic of Congo, Senegal and South Africa

BY Sean O'Toole |

Ahead of dOCUMENTA (13), reflections on the exhibition by its previous curators

BY Jennifer Allen |

Keeping fit, autonomy, disappointment and art criticism

BY Tirdad Zolghadr |

Photography, Africa, dystopian fantasies and ‘the present as a screen’

BY Sean O'Toole |

A celebration of the over-looked, the under-appreciated and the disappeared

International Center of Photography, New York, USA

BY Kristin M. Jones |

Various venues, Kassel, Germany

BY Kobena Mercer |

Various venues, Kassel, Germany

BY Thomas McEvilley |

Various venues, Kassel, Germany

BY Dan Fox |

In the work by the South African artist apartheid remains an inscrutable memory

BY Okwui Enwezor |