Performance

Showing results 61-80 of 171

This opera wants to know whether memory is scientific or occult. It answers the question by rejecting it.

BY Rainer Diana Hamilton |

The late Brazilian artist’s retrospective at the Museum of Modern Art, Rio de Janeiro, is a delicate exploration of his multi-faceted practice

BY Fernanda Brenner |

From the effects of the economic crisis on art to the power of public participation and the most innovative non-profit spaces across the city

The RU.in.ART commission at Frieze Los Angeles channels the history of Californian performance into a celebration of the present moment 

BY Megan Metcalf |

In world first, the artist plans to harness the power of ‘Magic Leap One’ technology, and is encouraging others to join her

BY Frieze News Desk |

‘I held (and hold) his ideas and ethics like a compass’

BY Lauren Cornell |

In a recent performance at Kunstmuseum Basel, the artist demonstrates an impressive control of hysteria and hesitancy

BY Chloe Stead |

Partnership between Frieze and Singapore Tourism Board brings a free, public discussion to Singapore Art Week 2019

Major new volumes by curators RoseLee Goldberg and Catherine Wood document contemporary art’s most rambunctious medium

BY Isobel Harbison |

I cut my skin to liberate the splinter evokes the dissonance and precarity of post-apartheid South Africa

BY Ian Bourland |

Featuring a proposal for a circular motorway around a mountain peak, the ‘weird and absurd’ work of the Russia-based artist

BY Tom Jeffreys |

Frieze Music artist Anaïs on her performance philosophy

The man hit the legendary performance artist over the head with his portrait at an exhibition opening in Florence

The latest art world silliness: Deborah de Robertis charged with ‘sexual exhibitionism’; Beckham’s painting debut; was the Mona Lisa sick?

BY In the Name of Art |

At the National Theatre of Wales, a performance alive with wild, tactile descriptions compels comparison between the eczema-sufferer and writer

BY Holly Pester |

Commemorating the 100th anniversary of WWI, The Head & The Load at Tate Modern makes incomprehension the work’s guiding theme

BY Hettie Judah |

With work in the Liverpool Biennial and ICA Philadelphia, the Seoul-based artist reanimates an ancient Korean musical system

BY Evan Moffitt |

Nods to the game in World Cup celebrations show how dance has gone viral – but unwittingly instrumentalized for commercial interests

BY Gareth Damian Martin |

At Kunstverein Düsseldorf (and on WeChat), the artist creates personalised horoscopes for a kaleidoscopic array of characters

BY Scott Roben |

Watching Sharon Hayes and Evan Ifekoya pay homage to the late artist at Camden Arts Centre and remembering his ‘structured anarchy’

BY Emily Roysdon AND Steven Warwick |