By focussing on the artist’s serial drawings, the exhibition goes to great lengths to unburden O’Keeffe of her sensual associations

The photographer recalls her experiences working undercover, and how they informed her art practice

At Lévy Gorvy, New York, the painter reinscribes the female gaze into art history

The artist’s show at Tramps, New York, asks if we’re too eager for young artists to self-destruct

Wolfson believes art has no relationship to ethics; after a decade of shock, it’s hard to take him seriously

In a new show, Sze pairs precision with nods to disassembly or messy composition

Artist Candice Lin connects the conditions of slave labour involved in building the drug trade’s infrastructure to the continued Orientalizing representations of the drugs themselves

A Series on the Senses: Taste

Diana Hamilton reflects on the dual urges to be beautiful and well-reviewed – even when you want to reject both desires

In her solo show at Galerie Eva Presenhuber in New York, the artist’s precision leaves all possible disorder to signification

In her new memoir, the poet asks whether art has a purpose beyond representation

This opera wants to know whether memory is scientific or occult. It answers the question by rejecting it.

An exhibition at Essex Street, New York, shows how closely Hill’s literary and artistic work is linked to her critique of domesticity

At Karma, New York, the artist herself becomes ‘a reproductive medium’, revisiting natural subjects and bringing realism ever closer to abstraction

Comic book images of female vulnerability become symbols of liberated sexual energy at Anton Kern Gallery, New York