The Algerian-born artist considers the geopolitical demons and prehistoric paintings of the Tassili n’Ajjer in her first exhibition in the country of her birth
Ahead of the artist’s contribution to the German Pavilion, Adam Szymczyk considers how she might embrace the loaded history of the country she will represent
Im Vorfeld von Maria Eichhorns Beitrag für den deutschen Pavillon stellt Adam Szymczyk Überlegungen hinsichtlich der Frage an, in welcher Form die Künstlerin das Thema Zugänglichkeit aufgreifen wird – angesichts einer Welt, die um den Begriff der Grenze herum organisiert ist.
On the occasion of the artist’s first solo exhibition in Berlin at KW Institute for Contemporary Art, Carina Bukuts writes about his 20-year practice of deconstructing the image politics of war
Allie Biswas visits artist Lubna Chowdhary to discuss sculpture, ceramics and fear of empty space ahead of a solo exhibition at PEER, London, opening in September 2021
The President of Spelman College reflects on the role that historically black colleges and universities in the US have played in supporting the work of emerging artists and scholars