As Blake’s most comprehensive retrospective to date closes at the ICA, Los Angeles, Shiv Kotecha examines the artist’s three-decade practice, which revels in the infinite variations of identity and pleasure
The singer committed her life to defying a classical music industry that was not only deeply critical of women’s bodies, but also sceptical of black talent
In Soskolne’s first show in nearly two decades, at New York’s Mishkin Gallery, the artist-activist takes on male networks and The Real Housewives of New York City