UK Reviews

Showing results 41-60 of 146

From balletic sculptures to cyborg imagery, a group show at Gathering, London, delves into the vulnerability of our bodies

BY Sam Moore |

At Spike Island, Bristol, the artist captures the flux of queer existence in collages of gender non-conforming figures throughout time

BY Elizabeth Fullerton |

A sparse exhibition at David Zwirner, London, sees the artist embrace pointillism, but her subjects remain the same: beautiful men 

BY Ella Slater |

Khanyisile Mbongwa’s programme addresses the history of international slave trading that haunts its famous docks

BY Joe Bobowicz |

At Gasworks, London, the artist envisions a time when half the world’s population is living in a tropical climate 

BY Nevan Spier |

An exhibition of kaleidoscopic painting at Victoria Miro, London, is a celebration of free love and excess

BY Chloë Ashby |

A grotesque new group show at Sadie Coles HQ, London, addresses sexual power dynamics but tends toward outdated provocation

 

BY Thomas McMullan |

At Pallant House Gallery, Chichester, the artist’s portraits play with the idea of cinematic dissolve to reframe female figures from history

BY Emily Steer |

At Phillida Reid, London, a series of elegant ink drawings prods at the art world’s social anxieties

BY Tom Morton |

At Auto Italia, London, David Aruquipa Pérezs photographic archive is an intergenerational and transcultural ode to street activism

BY Dylan Huw |

At Modern Art Oxford, the artist’s monumental new film examines 15 judges working in England and Wales 

BY Cathy Wade |

At White Cube, Bermondsey, the artist’s landscapes of objects reckon with ideas of existence and extinction

BY Reuben Esien |

At the Henry Moore Institute, Leeds, the artist’s readymade sculptures prompt a strange empathy between viewer and object

BY Lisette May Monroe |

At Josh Lilley, London, the artist’s depictions of a not-so-blissful domesticity evoke Lee Lozano and Pablo Picasso

BY Tom Morton |

An exhibition at Thomas Dane Gallery, London, encapsulates the artist’s ability to create hard sculptures that mimic soft or fluid materials 

BY Daniel Culpan |

The Glasgow-based polymath’s solo show at Chapter, Cardiff, is rigorously informed by ancient and mediaeval religions and spiritual movements

BY Dylan Huw |

At Modern Art, London, ‘The Moth and the Thunderclap’ contains works by over 40 artists channelling the energies of the natural world 

BY Aliya Say |

The inaugural show at London’s reopened Raven Row presents episodes of ‘Open Door’, a radical 1970s media production model 

BY Juliet Jacques |

At Kerlin Gallery, Dublin, the artist’s domestic objects are playfully at odds with a world dominated by rigid functions

BY Frank Wasser |

At Camden Art Centre, the artist’s first solo UK institutional show is imbued with latent dread

BY Tom Jeffreys |