Ahead of the artist’s contribution to the German Pavilion, Adam Szymczyk considers how she might embrace the loaded history of the country she will represent
Im Vorfeld von Maria Eichhorns Beitrag für den deutschen Pavillon stellt Adam Szymczyk Überlegungen hinsichtlich der Frage an, in welcher Form die Künstlerin das Thema Zugänglichkeit aufgreifen wird – angesichts einer Welt, die um den Begriff der Grenze herum organisiert ist.
Avram Finkelstein looks back on Gran Fury’s contribution to the 1990 Venice Biennale, The Pope and the Penis, and considers how the immediacy of social media might have impacted the AIDS activist collective
Celebrating the author and filmmaker’s 90th birthday, frieze invited him to reflect on Walter Benjamin’s favourite film and the pleasure machines of Coney Island
On the occasion of the artist’s first solo exhibition in Berlin at KW Institute for Contemporary Art, Carina Bukuts writes about his 20-year practice of deconstructing the image politics of war
As their first solo institutional show opens at the Walker Art Center, Carolyn Lazard speaks with Edna Bonhomme about avant-garde film, Blackness and disability
Wie sieht die Zukunft der zeitgenössischen Kunst im Lande aus, wenn fast jedes Museum in den Klauen der verächtlichen Parteiloyalisten von „Recht und Gerechtigkeit“ ist?
After a series of new appointments for Berlin’s museums, Carina Bukuts discusses the future of the city’s institutional landscape with Anselm Franke, María Inés Plaza Lazo, Fabian Schöneich and Sung Tieu
Ahead of his first UK institutional exhibition at Camden Art Centre in London, the artist speaks with curator Cédric Fauq about how returning to Martinique after a decade made him rethink anti-colonial approaches
