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Contributor
Glenn Adamson

Glenn Adamson is Senior Scholar at the Yale Center for British Art, New Haven, USA, and the author of books including The Invention of Craft (2013).

Why generations of students at Cranbrook have made the pilgrimage to Bob & Hazel’s Ceramics in Pontiac, Michigan

BY Glenn Adamson | 22 MAR 20

New work on view at Lévy Gorvy proves that the artist, nearing 90, is at the top of his game

BY Glenn Adamson | 15 NOV 19

A new gallery, dieFirma, opens in Cooper Square, New York, with an important presentation of an overlooked artist whose work spanned furniture to flowers

BY Glenn Adamson | 17 OCT 19

At The Bass, Miami, the 85-year-old fibre art pioneer continues to push the boundaries of her medium

BY Glenn Adamson | 16 APR 19

The controversial addition to Manhattan’s west side is emblematic of the triumph of digital spectacle over real experience

BY Glenn Adamson | 27 MAR 19

At Pioneer Works, Brooklyn, the Dutch artist’s dystopian grandeur forces us not just to think about the industrial condition, but actually feel it

BY Glenn Adamson | 08 MAR 19

Has the great designer lost sight of what it means to make things that matter?

BY Glenn Adamson | 25 JAN 19

The New York department store honours a longstanding relationship between contemporary art and window dressing

BY Glenn Adamson | 10 DEC 18

An homage to the architect who, with his partner Denise Scott Brown, developed the source code for postmodernism

BY Glenn Adamson | 25 SEP 18

Ahead of his first solo in the UK, why the late California-based sculptor’s material sensibility and countercultural ideals deserve reappraisal

BY Glenn Adamson | 03 SEP 18

Alongside a centuries-old collection of Old Masters, Delftware and Chinoiserie, the Devonshires continue to commission contemporary art 

BY Glenn Adamson | 15 AUG 18

The artist shows a muscular blend of figuration and abstraction at Galerie Lelong & Co., New York, and Philadelphia Fabric Workshop and Museum

BY Glenn Adamson | 23 JUL 18

A distinctively American artist who, along with four neighbourhood contemporaries, changed the course of US painting forever

BY Glenn Adamson | 30 MAY 18

With ‘David Bowie Is’ at the Brooklyn Museum of Art, Glenn Adamson on the evolution of the music video – a genre Bowie ‘essentially invented’

BY Glenn Adamson | 05 APR 18

Remembering the visionary ceramic artist whose aesthetic was that of a painter: ‘Everything she touched was edged with delight’

BY Glenn Adamson | 08 JAN 18

Tiffany & Co.’s new range of gift objects and the shifting meaning of the ‘everyday’

BY Glenn Adamson | 04 DEC 17

What simulations tell us about the real world 

BY Glenn Adamson | 12 SEP 17