Frieze

New albums from electronica veterans Autechre and Dubstep producer Benga

Yeasayer (We Are Free, 2007)

Saul Anton (JRP | Ringier & Les Presses du Réel, Zurich and Dijon, 2007)

ed. Kobena Mercer (MIT Press, London and Cambridge, MA, 2007)

eds. Ursula Marx et al. (Verso, London and New York, 2007)

Support Structure/Various artists (British Council/KwanYin Records, 2007)

Devine & Griffiths (Anhrefn Records, 2007)

Instituto de Arte Contemporânea, São Paulo

For ‘00s – The History of a Decade That Has Not Yet Been Named’ Hans Ulrich Obrist and Stéphanie Moisdon employed a novel approach to curating in the new millennium

The opening of UCCA, a new non-profit arts centre in Beijing, is a cause for celebration

The next Berlin Biennial will comprise two parts, ‘day’ and ‘night’, and be structured around three terms: ‘human’, ‘thing’ and ‘use’

‘Destroy Athens’ was tightly presented, solicitously scaled, engaged with its locality and indifferent to the tourist board

The opening of Jeppe Hein’s new venue in Copenhagen blurs the line between art and life

Twelve years on from Hirst’s vitrines, Wallinger’s work holds more cultural currency

Artists announced

Turmoil in the Brazilian artworld

In 1966, the Artist Placement Group was founded to integrate artists into businesses and corporations around Britain. Did the strategy bear fruit?

Manhattan celebrates the reemergence of a much loved yet wholly reconstituted institution

As a new book on Public Image Ltd shows, the influence of their 1979 album Metal Box stretches far and wide

Bob and Roberta Smith (Black Dog Publishing, London, 2007)