‘The last time I felt maenadically enthusiastic was during this year’s Pride, marching down the streets of Milan under a scorching sun’
The Italian city’s latest art space is a welcome addition to its booming art scene
Hiller’s discomfort towards dominant narratives made her look at all sorts of suppressed subjects, from outlaw cowgirls to protest songs
Selections include Kathy Acker’s solo show at the ICA, Pedro Neves Marques at Gasworks and Banu Cennetoğlu’s pair of exhibitions in New York and Düsseldorf
From the errors of AI to the pleasures of VR, contributing editor Barbara Casavecchia gives the lowdown on the best shows opening this week
Showing at Istanbul’s Protocinema, the artist’s new film uses the ancient site of Çatalhöyük to investigate a community and its collapse
In its autumn exhibitions, the Milanese art world focuses on the work of women artists
At Galleria Civica’s satellite space, Modena, the artist’s first retrospective explores the latent possibilities of ‘togetherness’
With the 12th edition of the itinerant European biennial opening in Palermo, what do local artists, curators and gallerists think of the project?
From Glenn Ligon’s first solo exhibition in Italy, at Thomas Dane Gallery, to a unique project in an ancient Roman aqueduct
With miart in town, the best art to see across the city – from ghostly apparitions to the many performances across the week
Remembering the avant-garde filmmaker whose work, with her partner Yervant Gianikian, demonstrated an active and precious form of resistance
The artist brings systems of exclusion and exploitation to light at Apalazzo Gallery, Brescia
What use is art when there is no water? Sean O’Toole, Hou Hanru and Barbara Casavecchia on responding to the challenges that this year brings
From Anthropocenic doom in Cecilia Alemani’s Italian Pavilion in Venice to Alvin Lucier’s I Am Sitting in a Room at d14
Fanta Spazio, Milan, Italy
With the opening of Artissima this week, a guide to the best shows and events across the city
A report from ‘Upon a Shifting Plate’, the final off-site project of this year’s Sharjah Biennial
Fondazione Prada, Milan, Italy
Irma Blank – who has been creating her 'writings' for over 50 years – talks about her relationship to word and image
