'Frontier' at OCAT, Shanghai traces contemporary Chinese art's geopolitical concerns and the new complexities of living in a cosmopolitan world
Two controversial events suggest a precarious relationship between China’s culture industry and the state’s soft power project
China’s ‘One Belt One Road’ isn’t just about infrastructure, but as a new exhibition reveals, an ambitious effort to spread Chinese values globally
The staging of an international art biennial in Anren, China, contained both Potemkinist ambition and Brechtian drama
A welcome from the heart of “Frieze Week”
K11, Shanghai, China
The telling literalism in Western reviews of China’s summer blockbuster hit
The possibilities and pressures that have resulted from the boom in new museums in China and its neighbouring regions
Hobart’s Museum of Old and New Art announces major expansion plans; Hepworth Wakefield named UK museum of the year
Colin Siyuan Chinnery considers the development of China’s non-profit sector and its relationship with the international art scene
Imagining the dawn of the 'Chinese century'
Community-minded, small-scale, sustainable: designing for China's 'new normal'
In the first of a two-part series charting the internationalization of the Chinese art world, Colin Siyuan Chinnery considers the commercial sector
How postinternet aesthetics are thriving behind the Great Firewall
Two years on, Hong Kong’s mass pro-democracy demonstrations continue to reverberate
Despite years of sexual inequality in China a positive gender-shift seems to be taking place in the art world
Critic and curator Li Xianting speaks to Carol Yinghua Lu about tradition, change and leaving the art world
What does ‘Chinese’ mean as an artistic category in Britain today?
Man Booker Prize winner László Krasznahorkai goes to China in search of sorrow and destruction in his latest book
Chinese video art, post-socialist trauma and the work of Cheng Ran
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