​Dance

Choreographer Damien Jalet discusses the impact of movement in film, Emilia Pérez and earning accolades at the Cannes Film Festival

As a retrospective opens at the Whitney Museum, New York, writers, curators and those close to the choreographer explore his vision to transform American dance

The choreographer’s latest work, Goner, powerfully blends movement and vulnerability, reflecting the viewer’s gaze back onto themselves

The late artist surrealistically changed the way we visualize the body in space

Other highlights include Beach Sessions Dance Series in New York and Aruna D’Souza’s Imperfect Solidarities

At Galerie Hubert Winter, Vienna, the artist draws a line from the plantation to the stage

The Golden Lion-winning choreographer on continuing to learn from her body

The choreographer speaks to Matthew McLean about ‘TANZ’, ‘Ophelia's got Talent’ and her plans for the future

McKenzie Wark shares how techno made her feel at home in her body

Five performances staged by the company at Danspace Project, New York, use synchronicity and discordance to thwart audience’s expectations for dance

Other highlights include a new documentary on German dancer Pina Bausch and a podcast dedicated to solving the mystery of artist Ana Mendieta's suspicious death

At Kampnagel, Hamburg, the choreographer takes on the ‘oppressive’ world of ballet

A survey at Art + Practice, Los Angeles, celebrates the artist’s unique combination of photography and dance

From pole dancing to Disney princesses, the artist ‘hijacks’ modes of performance to show the power dynamics inherent in the way we move

As a new series of Covid-19 lockdowns hit Europe, the Amsterdam-based choreographers’ club inspired performances are more relevant than ever

Cassa Pancho takes stock of how the landscape has changed for dancers of colour since she started Ballet Black in 2001

From enfant terrible of British ballet to a retrospective at the Barbican Gallery, how the choreographer and performer found a home in the contemporary art world 

Rebecca Horn speaks to Stuart Morgan about the use of tension and taboo in her practice