A new show at Richard Saltoun begs the question – how effective is self-inflicted violence?
With over 100 works, ‘Straying from the Line’ brings together superb work under the rubric of anti-essentialism
Social media giant to meet with activists demanding end to artistic censorship
What the frieze editors have been reading this week
Marysia Lewandowska unearthed a collection of photographs while searching the Venice Archives, ahead of her display at this year’s Biennale
An exhibition at Peres Projects, Berlin, shows how society’s attitudes to sex have changed throughout the 86-year-old artist’s career
‘To Carolee, drawing, like painting, was as visceral as breath,’ writes Emma McCormick-Goodhart
The new statues will honour women including jazz icon Billie Holiday and civil rights leader Elizabeth Jennings Graham
The pioneering US artist was best known for using painting, film, performance and installation to challenge ideas around sexuality and gender
In a special commission for frieze, the artist envisions Martian colonies informed by techno-feminism
Hear from expert insiders in the city’s cultural landscape, from art to entertainment
In the age of #MeToo, does the recent proliferation of films and TV shows about serial murderers hint at a troubling resurgence of sociopathic masculinity?
The Frieze Projects artist discusses her practice
‘By changing oppressive patterns on many levels, the movement has much to say about feminism in the present moment’
‘I’m a feminist, and I have long advocated for gender equality’: Kaywin Feldman will succeed Earl A. Powell III in March 2019
Workshopping a new book project at Porto/Post/Doc, the theorist and filmmaker who diagnosed how Hollywood reinforced patriarchal codes
‘Others my age with lesser work who were men were being celebrated and collected’
The current appetite for historical, underrecognized female artists is welcome but urgent work still needs to be done
The Metropolitan Museum of Art’s exhibition of iconic rock instruments has been criticized for only including one woman
What many call a national movement is far from it: the price for people to tell their stories remains too high