Frieze 200

Showing results 81-100 of 104

‘I found it at my local used bookstore more than a month before its release date, only days after 9/11’

BY Aaron Peck |

‘The show singlehandedly thrust Africa back into the culture of global contemporary art.’

BY Kobena Mercer |

‘I know no more perfect portrait of artist and muse’

BY Negar Azimi |

‘Her work challenges the way 20th-century history has been shaped in our cultural imaginaries’

BY Magalí Arriola |

‘No other installation has come close to the swooning sensation of seeing Bourgeois’s work for the first time’

BY Shahidha Bari |

We look back on 28 years of publishing by remembering what inspires us

BY Jennifer Higgie |

‘Do you remember what that was like seeing great art and knowing nothing about its maker or context?’

BY Mark Godfrey |

‘These works render the real, estranged personalities of our present perturbing, alluring; exquisite’

BY Gabriella Pounds |

‘I knew, while trying that chair, that I wanted whatever the future had to offer’

BY Cody Delistraty |

For all the camp and capering, Eddie and Patsy’s antics also have a plaintive, even existential tinge

BY Matthew McLean |

‘After Kurzweil’s book landed with a thud in the centre of our culture, it was impossible not to address its claims’

BY Chris Wiley |

‘She introduced me to the borderland of craft, for which I count myself very lucky’

BY Tanya Harrod |

‘The people from whom I learn most are enthusiasts, who take my soul to places I never knew existed.’

BY Jan Verwoert |

Once eclipsed by the men in her life, the architect’s supreme originality and energy are slowly being recognized

BY Marina Warner |

‘If criticality indicates a desire for change, then surely the critic is actually an optimist’

BY Jörg Heiser |

‘If anything can be converted to DNA, then this interview could become a DNA portrait of you’

BY Lynn Hershman Leeson |

‘The acid test of anyone’s enthusiasm is just how boring it is’

BY Kasper König AND Adam Phillips |

The inspirational founder of Germany’s Green Party and her untimely death 

BY Chloe Aridjis |

‘In this era of social violence and the return of the irrational, has the interhuman sphere become, paradoxically, obsolete?’

BY Nicolas Bourriaud |

‘You have taught art within a history that is our own, with a language that is our own’

BY Matariki Williams |