issue 234

The artist’s ambiguous sartorial ensembles are a reflection of her artistic practice

Ahead of his major exhibition at Tate Britain, the artist considers how his films will exist in the future

At his upcoming show at ICA Watershed, Boston, the artist transports his audience using the power of sound baths

On the occasion of the artist’s first major retrospective outside of the US, Travis Diehl considers the 1985 painting ‘Untitled (Green Storefront)’

The coral atoll nation makes bold moves to back up thousands of years of oral testimonies and history

In the Tokyo-based artist's works, everyday objects are animated by electric motors and chance elements

How the artists used their underground photographic magazine to map New York’s mid-century myths

At SCAI Piramide, Tokyo, six artists have selected previously unseen photographs by Akasegawa that reflect the dizzying range of his work and his trenchant critique of capitalism

An exhibition of recent work at Marc Straus, New York, draws on diasporic African religious customs and personal mystery

At Marian Goodman, Paris, the artist’s latest works cite leading figures from twentieth-century art

At Museo Tamayo, Mexico City, the artist reconfigures objects to bring our attention to what remains of their original forms

A show at Diez Gallery, Amsterdam, unites work by four artists around ideas of materiality and texture

The most thorough exhibition of the artist’s work in two decades showcases her iconoclastic, diaristic style

The artist draws on the concept of the ‘matrix’ to reimagine the role of the individual in a time of media saturation

At Luis De Jesus, Los Angeles, the artist displays figurines, paintings and animations that draw on the physical, psychological and cultural landscapes of borderlands

At de boer gallery, Los Angeles, the artist plumbs personal documentation and film to create photorealistic paintings that destabilize truthhood

A retrospective sheds light on the ’85 New Wave movement and the shaping of art between the conservatism of past and present

The artist’s survey at High Museum of Art, Atlanta, draws from original and reprinted photography to challenge the viewer's expectations of Black photographic subjects