issue 234

Showing results 1-18 of 18

The artist’s ambiguous sartorial ensembles are a reflection of her artistic practice

BY Lucy Ives | 25 APR 23

Ahead of his major exhibition at Tate Britain, the artist considers how his films will exist in the future

BY Deborah Willis AND Isaac Julien | 21 APR 23

At his upcoming show at ICA Watershed, Boston, the artist transports his audience using the power of sound baths

BY Evan Moffitt | 11 APR 23

On the occasion of the artist’s first major retrospective outside of the US, Travis Diehl considers the 1985 painting ‘Untitled (Green Storefront)’

BY Travis Diehl | 06 APR 23

The coral atoll nation makes bold moves to back up thousands of years of oral testimonies and history

BY Celeste Olalquiaga | 05 APR 23

In the Tokyo-based artist's works, everyday objects are animated by electric motors and chance elements

BY Andrew Maerkle | 31 MAR 23

How the artists used their underground photographic magazine to map New York’s mid-century myths

BY Dan Fox | 22 MAR 23

At SCAI Piramide, Tokyo, six artists have selected previously unseen photographs by Akasegawa that reflect the dizzying range of his work and his trenchant critique of capitalism

BY Andrew Maerkle | 01 MAR 23

An exhibition of recent work at Marc Straus, New York, draws on diasporic African religious customs and personal mystery

BY Daniel Felsenthal | 21 FEB 23

At Marian Goodman, Paris, the artist’s latest works cite leading figures from twentieth-century art

BY Wilson Tarbox | 20 FEB 23

At Museo Tamayo, Mexico City, the artist reconfigures objects to bring our attention to what remains of their original forms

BY Re’al Christian | 09 FEB 23

A show at Diez Gallery, Amsterdam, unites work by four artists around ideas of materiality and texture

BY Jim van Geel | 07 FEB 23

The most thorough exhibition of the artist’s work in two decades showcases her iconoclastic, diaristic style

BY Sarah Lehrer-Graiwer | 02 FEB 23

The artist draws on the concept of the ‘matrix’ to reimagine the role of the individual in a time of media saturation

BY Paul Stephens | 01 FEB 23

At Luis De Jesus, Los Angeles, the artist displays figurines, paintings and animations that draw on the physical, psychological and cultural landscapes of borderlands

BY Armando Pulido | 26 JAN 23

At de boer gallery, Los Angeles, the artist plumbs personal documentation and film to create photorealistic paintings that destabilize truthhood

BY Gracie Hadland | 24 JAN 23

A retrospective sheds light on the ’85 New Wave movement and the shaping of art between the conservatism of past and present

BY Paul Han | 18 JAN 23

The artist’s survey at High Museum of Art, Atlanta, draws from original and reprinted photography to challenge the viewer's expectations of Black photographic subjects

BY Lauren DeLand | 10 JAN 23