From Lorraine O’Grady’s photocollages from the 1990s at Alexander Gray Associates to Kiyan Williams’s deep-fried American Flags at Lyles & King, these are the must-see shows

At the Queens Museum, New York, a survey of the artist’s career showcases her feminist genre of social practice

The artist and author’s new novella, ‘Tuesday or September or The End’, imagines an alternative collective future

A group show curated by Sylvie Fortin at the Bemis Center for Contemporary Arts, Omaha, delves into the politics of social health

Travis Diehl on the successes and failures – both past and present – of the young triennial in its attempt to revitalize the city in the wake of climate disasters

At SculptureCenter, New York, the artist’s new, K-Pop inspired, video sees revolution as an illness

In his newest hallucinatory animation, ‘Life After BOB’, the artist questions self-determination in an algorithmic age

The artist speaks on his latest series of small, abstract tableaux, reflecting on the history of landscape painting and why uncertainty can create a sense purpose

At the Institute of Contemporary Art, Miami, the artist presents a suite of new works that confronts the notion of 'white angst' in western iconography

Her latest book, a collection of 19 essays that spans art criticism, journalism and memoir, is an exhaustive examination of what it means to write

At Bel Ami, Los Angeles, the artist’s paintings take a satirical look at the grisly history of American bigotry against US Asian populations

The artist on her proposed New Monument for Franska Tomten and how minimalist aesthetics speak to the complex history of Sweden’s colonial past

The artist’s first feature film depicts a mother-daughter pair of grifters trying to stay afloat through financial recession 

Conceptual artist Patrick Jackson presents a series of photographs and glass shelves that riff on modernism and minimalism

The artist’s online game, ‘Screen Talk’, satirizes the bad politics and fake news muddling responses to COVID-19

From ‘a coven of witches’ at Deitch Projects to the ‘totemic roughness’ of Huma Bhabha at David Kordansky Gallery, our critic’s guide to Los Angeles

At Matthew Marks, New York, the artist’s enigmatic marbles and projections perform a subtle excavation of the gallery’s architecture 

Kilimnik’s subjects are nearly always brutal – murder, empire, war – and just as often delivered with a practiced detachment

There is a place for evidentiary art – but not for Kenneth Goldsmith’s print-out of 62,000 pages of the former US Secretary of State’s correspondence

Though it tactfully sidesteps the real politics of housing, ‘Landlord Colors’ offers an alternative model to the ‘development biennial’