Japan

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We spoke with the artists representing Japan and South Korea about their Venice exhibitions and the obsolescence of national divisions

An exhibition in Toyko sees the artist engage one of the earliest forms of photography to capture quiet, almost apparitional, landscapes

BY Nicholas Gamso |

From Nerhol’s impressionistic abstractions to Cai Guo-Qiang’s AI generated firework explosions

BY John L. Tran |

The poet and artist creates works that occupy a transitional state between life and death

BY Sayuri Okamoto |

At Komaba Museum, Tokyo, a retrospective showcases the late postwar artist and theorist’s dedication to transforming polarized media representations

BY Azby Brown |

Informed by his Manchurian identity, the artist sets out by motorcycle for the Chinese Eastern Railway to explore the Northeast province's fading heritage

BY Nooshfar Afnan |

For the inaugural exhibition at I.L.A. Gallery, the artist used the Japanese paper-making technique of washi to connect with rural histories

BY Yosihiro Yabe |

After years of controversy around Zaha Hadid’s doomed proposal, Kuma’s sober design arrived on time and within budget – only for the games to be postponed 

BY Azby Brown |

‘Kimono: Kyoto to Catwalk’ is a mesmerizing display of silk brocades and detailed craft, but glances over history’s muddier moments

BY Rowan Hisayo Buchanan |

Tanaka’s retrospective at Moderna Museet, Stockholm, reveals humour and radicality in everyday things

 

BY John Quin |

An Instagram user documented the artwork being whisked away as Typhoon Krosa approached Japan’s Naoshima island

BY Frieze News Desk |

At the Centre Pompidou-Metz, the past year has seen the most extensive survey of contemporary Japanese art outside of the country in 17 years 

BY Edward Ball |

Japan’s growing number of art festivals tread a precarious path between state-sponsored leisure-culture and soft-power machinery

BY Andrew Maerkle |

A recent show traces the creative legacies of an artist and an architect who helped shape Japan’s futurist aspirations

BY Philip Brophy |

An image of the sole survivor tree after the 2011 tsunami in Japan 

BY Philip Brophy |

Various venues, Seto Inland Sea, Japan

BY Edward Ball |

The anarchic 1920s Tokyo art movement Mavo and the internationalism of the Japanese Avant-garde

BY Andrew Maerkle |

After the tsunami: the role of disaster in Japan’s artistic psyche

BY Philip Brophy AND Kyoji Maeda |

Various Venues, Yokohama, Japan

BY Jennifer Higgie |