Opinion

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At Manchester Art Gallery, an exhibition brings attention to how the selected ‘highlights’ of a collection tell a deeper story of erasure 

BY Kadish Morris |

Many of the streaming giant's curated playlists complicate Western obsessions with ‘world’ and ‘exotic’ music

BY Liz Pelly |

The second edition – Michael Dean, Mona Hatoum, Phillip Lai, Magali Reus and Cerith Wyn Evans – pits old guard against young guns

BY Hettie Judah |

Bolsonaro’s repeated insults towards women, people of colour and the LGBT community, should have been enough to derail his campaign – it wasn’t

BY Fernanda Brenner |

Beyond the ‘forcefield of righteousness’ that occludes some political work, ‘Artes Mundi 8’ manages a complicated and rewarding show

BY Hettie Judah |

With the anniversary of last year’s Catalonian bid for independence, a lens on the region’s cultural radicalism

BY Adrian Nathan West |

Talk of the Booker Winning-novel as ‘baffling’ and ‘tough’ suggests such journalists may be more trained in the Burns-ian method than they think

BY Bryony White |

When confronted with a deeply damaging past, it becomes necessary to take action to return us to the present

BY ACT UP London |

Seeking to address the inadequacies of current educational models is an urgent and ambitious task, but this show’s answers fall into nostalgia

BY Beatrice Leanza |

From Diamantino to The Grand Bizarre, the most intelligent films are also among the most joyous

BY Nick Pinkerton |

‘Personal questions, which might not be asked to a man, are often asked of a woman’

BY Almine Rech |

What a brief history of creative destruction reveals about the Sotheby’s shredding stunt

BY Darran Anderson |

Nicholas Cage, the film’s mesmerizing star, crescendos and explodes, like he’s hamming for his life

BY Dan Fox |

With museums suffering from cash-strapped councils and national cuts, the new plan is ‘miles away’ from addressing the crisis

BY Chris Sharratt |

The US writer and filmmaker has created new paths for arts writing and critical thinking, not from wielding a cudgel but by exposing our bruises

BY Jennifer Kabat |

Why ACT UP activists spray-painting over artist David McDiarmid’s ‘Rainbow Aphorisms’ posters scored an own goal

BY Paul Clinton |

In an age when the camera is continually absorbed into other technologies, this inaugural show focuses on photography as practice

BY Laurie Taylor |

Donning a pith helmet for a Kenyan safari, the First Lady revived an age-old symbol of colonial rule

BY Rajat Singh |

On the eve of her Guggenheim retrospective, a new book of esoteric drawings reveals the spiritualism behind Europe’s first abstract artist

BY Anya Ventura |

Exhibitions of Do Ho Suh, Heidi Bucher and Doris Salcedo in London affirm the affective qualities of architecture

BY Alice Bucknell |