Opinion

There’s a difference between respecting people’s right to tell their own stories and refusing to look at all

The ‘World’s Best Teacher’ believes arts education in the UK is in peril; can the damage be reversed?

Complicating the ‘disaster narratives’ associated with the Niger Delta by attending to the local ecology, and those responsible for defiling it

A new show at London’s Wellcome Collection charts the influence manmade structures have had on health and wellbeing

Leftist histories, state violence and the cracking open of time: can a ‘mere’ competition, and publicity exercise, also speak truth to power?

Friends of the late critic have condemned holding a Berger-influenced show at NYU Abu Dhabi, given the region’s human rights abuses

Many assume that the greatest challenges facing Cuban artists come from within Cuba – often they don't

As startups looks towards increasingly abstract schemes, where is the art that answers to today’s deeply networked structures?

At the end of July, the footballer announced his resignation from the German national football team – why?

Representation is powerful – but what happens when a delightful, silly rom-com is asked to represent so many?

Opening with a show about humour in art, there is a refreshing domesticity to SLG’s expansion

‘Mentorship? I don’t think I even knew what the word meant!’

Following a New York gallery pulling a show after neo-Nazi claims, can we no longer trust in the ‘marketplace of ideas’?

If the new V&A is Dundee’s public face to the world, it underscores the motto of the city’s famous resident: ‘think global act local’

Why the sportswear corporation built a brand philosophy premised on personal transcendence and social justice

‘Spellbound’ at the Ashmolean Museum, Oxford, traces magic and ritual from the Middle Ages to today

Focusing on the ancient ruins offers up the barbarous IS as the real villains, overshadowing the government’s own war crimes

A conference at the Salzburg Summer Academy demonstrated the contentious issues at stake when dealing with the legacy of colonialism – and possible ways forward

At an 18th-century neoclassical manor house, this year’s Cinema Camp was inspired by the writings of the late Cuban filmmaker Julio García Espinosa

Banu Cennetoğlu’s refusal to remake The List, serves as a reminder that bigotry and violence is never far from the surface