Photography

Showing results 41-60 of 224

The author’s latest book, See/Saw: Looking at Photographs, condenses over 100 years of history into selected moments

BY Pádraig Ó Meiscill |

The artist’s retrospective at Hamburger Bahnhof, Berlin, recalls the political and economic changes of the German capital

BY Kito Nedo |

At Kicken Berlin the artist's work explores what it meant to be a woman in the German Democratic Republic

BY Anna Voswinckel |

In his home studio the artist explores pleasure, privilege and how ‘through our body, we bring our archives’

BY Kevin Brazil |

At Felix Gaudlitz, Vienna, a series of photographs by the French novelist beautifully captures the notion of intimacy

BY Max L. Feldman |

As an exhibition of his work heads to the Whitney Museum of American Art in New York, the photographer speaks to poet Simone White about the changing landscape of Harlem and US institutions

BY Simone White AND Dawoud Bey |

The photographer has been capturing meetings with ordinary people on the streets of the UK for twelve years: now, he's bringing this body of work together for the first time

BY Jamie Hawkesworth |

For a new commission in east London, the artist is drawing on local histories to celebrate those that the UK government has turned its back on

BY Thomas J Price |

Premiering in Ireland at Dublin’s Gallery of Photography, Bowe’s series ‘Love’s Fire Song’ offers a welcome pause to reflect on the segregation of the north

BY Pádraig Ó Meiscill |

A public art exhibition by the artist whose life was claimed by the Grenfell Tower Fire is a salve for a wounded borough

BY Natalie Nzeyimana |

Smith – the subject of a new monograph by Aperture – evokes music and pace through her use of the blur

BY Jessica Lynne |

The late US photographer challenges perceptions of African Americans in a two-part series

BY Candice Nembhard |

The American poet – whose ‘Memory’ is now out from Siglio Press – on the poetics of synesthesia

BY Bernadette Mayer |

The artist’s current exhibition at Weiss Berlin is a nuanced critique of the notion of Black masculinity

BY Eric Otieno Sumba |

Before Twitter, Félix Fénéon’s daily ‘novels in three lines’ made a literary art form of current affairs

BY Francesca Wade |

Despite being full of great work, this show is at once too broad in its remit and too narrow in its execution

BY Jennifer Higgie |

At Spelman College, the artist’s selection of images from the Johnson Publishing Company celebrates ‘a house that black entrepreneurship built’ 

BY Lauren DeLand |

A new exhibition looks back at the artists who resisted poisonous cultural narratives of the ’80s and ’90s with care, humour and style

BY Rosanna McLaughlin |

A visual memoir of LA, marking the photographer’s first retrospective at the Vincent Price Art Museum